Art History from Home:
Working Together: The Photographers of the Kamoinge Workshop
Thurs, Apr 1, 2021
12 pm
Ray Francis, Untitled (woman at table), 1960s–70s. Gelatin silver print: frame, 16 × 20 in. (40.6 × 50.8 cm); image, 7 13/16 × 9 15/16 in. (19.8 × 25.2 cm). Collection of Shawn Walker
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Online, via Zoom
This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum's collection and recent exhibitions to illuminate critical topics in American art from 1900 to the present. During each thirty-minute session, participants are invited to comment and ask questions through a moderated chat. Sessions are available live only, Tuesdays at 6 pm and Thursdays at 12 pm, but topics and speakers do periodically repeat. Check back here for more sessions added regularly.
The exhibition just closed, but you have another chance to learn more about the photographers in the Kamoinge Workshop, a collective of Black photographers established in New York City in 1963, whose work was the subject of the exhibition Working Together: The Photographers of the Kamoinge Workshop. Although each artist had his or her own sensibility and developed an independent career, the members of Kamoinge were deeply committed to photography's power and status as an independent art form. They boldly and inventively depicted their communities as they saw and participated in them, rather than as they were often portrayed by the mainstream media.
Ayanna Dozier is an artist, lecturer, curator, and scholar. She recently completed her Ph.D. in art history and communication studies at McGill University. She is the author of the 33 ⅓ book on Janet Jackson’s The Velvet Rope. She is currently a Joan Tisch Teaching Fellow at the Whitney and a lecturer in the department of communication and media studies at Fordham University.
