Putting Artist on the Map Assets

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Images

Side-by-side images of New York Harbor: a black-and-white historical view on the left and a modern color photo at sunset on the right.
From left to right: John Cunning's photograph, Sunset, was exhibited in the 1932 Whitney Biennial. Photo by Max Touhey—Press Assets
Side-by-side images of a historic city street scene with old cars and a modern city street with pedestrians, trees, and a Citibank building.
From left to right: David Morrison, Union Square, 1932, featurued in the 1932 Whitney Annual. Photograph by Max Touhey—Press Assets
Side-by-side images: left, a painting of a quiet city street with two people in black; right, a modern city street with a yellow taxi and pedestrians.
From left to right: Francis Criss, Astor Place, 1932. Photo by Max Touhey—Press Assets
Side-by-side images: a painting of a city street with water towers and a modern photo of a similar street with tall buildings and trees.
From left to right: George C. Ault, Hudson Street, 1932. Photo by Max Touhey—Press Assets