Drawing on research for her works on view in the 2019 Biennial, Tomashi Jackson convenes this conversation about the long history of displacement and gentrification in New York City. Jackson’s project examines the destruction of Seneca Village, a free Black community that was razed in the 1850s for the creation of Central Park. The artist draws a parallel between this history and contemporary practices of redevelopment that rely on the targeted dispossession of Black and Brown property owners through the Third Party Transfer Program. The discussion includes Tourmaline, Tsubasa Berg, Diana diZerega Wall, Meredith B. Linn, Kelly Mena, K-Sue Park, Nan Rothschild, Marie Warsh, and Stephen Witt.
A 30-second online art project:
Kristin Lucas, Speculative Habitat for Sponsored Seabirds