Programmed: Rules, Codes, and Choreographies in Art, 1965–2018

Oct 18, 2018

At a time when our world is increasingly driven by automated systems, Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 traces how rules and instructions in art have both responded to and been shaped by technologies, resulting in profound changes to our image culture. Hear from the exhibition’s curators Christiane Paul and Carol Mancusi-Ungaro about why this show matters now. 


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.