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Tours

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Meet the Director

About the Whitney

As the preeminent institution devoted to the art of the United States, the Whitney Museum of American Art presents the full range of twentieth-century and contemporary American art, with a special focus on works by living artists. The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection—arguably the finest holdings of twentieth-century American art in the world—is the Museum's key resource. The Museum's flagship exhibition, the Biennial, is the country's leading survey of the most recent developments in American art.

Innovation has been a hallmark of the Whitney since its beginnings. It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist (Nam June Paik, in 1982). Such important figures as Jasper Johns, Jay DeFeo, Glenn Ligon, Cindy Sherman, and Paul Thek were given their first comprehensive museum surveys at the Whitney. The Museum has consistently purchased works within the year they were created, often well before the artists who created them became broadly recognized.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's current building vastly increases the Museum’s exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

Where We Are

Solo en Inglès

Hear directly from artists and curators on selected works from Where We Are: Selections from the Whitney’s Collection, 1900–1960.

Where We Are, Introduction

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Mark Joshua Epstein: Welcome to Where We Are, an exhibition of works from the Whitney’s permanent collection. My name is Mark Joshua Epstein, and I’m an Educator here at the Whitney. Today, we’ll be exploring this exhibition with students from PS 3 in Manhattan, and PS 146, Brooklyn New School. We’ll look at a few works in each gallery. 

As we go through the exhibition, we’ll focus on a few specific works. You might want to compare them to the art on view nearby. As you do, you’ll notice that each room has a different theme. There are galleries focused on the home, family, work, nationhood, and spirituality. 

Thanks for joining me, and enjoy your visit today! 

Installation view of Where We Are at the Whitney Museum.

Mark Joshua Epstein: Welcome to Where We Are, an exhibition of works from the Whitney’s permanent collection. My name is Mark Joshua Epstein, and I’m an Educator here at the Whitney. Today, we’ll be exploring this exhibition with students from PS 3 in Manhattan, and PS 146, Brooklyn New School. We’ll look at a few works in each gallery. 

As we go through the exhibition, we’ll focus on a few specific works. You might want to compare them to the art on view nearby. As you do, you’ll notice that each room has a different theme. There are galleries focused on the home, family, work, nationhood, and spirituality. 

Thanks for joining me, and enjoy your visit today! 


Installation view of Where We Are: Selections from the Whitney’s Collection, 1900-1960 (Whitney Museum of American Art, New York, April 28, 2017–). From left to right, top to bottom: Jacob Lawrence, War Series: The Letter, 1946; Jacob Lawrence, War Series: Docking – Cigarette, Joe?, 1947; Jacob Lawrence, War Series: On Leave, 1947; John Steuart Curry, Baptism in Kansas, 1928; Thomas Hart Benton, Poker Night (from A Streetcar Named Desire), 1948; Jacob Lawrence, War Series: Beachhead, 1947; Jacob Lawrence, War Series: Purple Hearts, 1947; Jacob Lawrence, War Series: How Long?, 1947. Photograph by Ron Amstutz