What It Becomes

Aug 24, 2024–Jan 12, 2025


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Toyin Ojih Odutola

9

This work is from Toyin Ojih Odutola’s series The Treatment, a group of more than forty drawings of famous white men, ranging from politicians and actors to artists and musicians. Angered by the way young Black men are repeatedly stereotyped in the media rather than portrayed as individuals, Ojih Odutola describes The Treatment as a study of how Blackness is often seen as “an obfuscating element that obstructs anything that’s behind.” Working with images found online, she rendered her subjects’ skin in dense, sinewy passages of black ballpoint pen and chose not to reveal their identities, testing how this treatment would affect their recognizability and perception.

Toyin Ojih Odutola, The Treatment 20, 2015

A portrait of a man with detailed shading on his face and hair, while the rest of the drawing remains outlined.
A portrait of a man with detailed shading on his face and hair, while the rest of the drawing remains outlined.

Toyin Ojih Odutola, The Treatment 20, 2015. Pen ink, gel ink, and pencil on paper, 12 × 9 1/16 in. (30.5 × 23 cm). Whitney Museum of American Art, New York; purchase with funds from the Drawing Committee 2016.102. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.