What It Becomes

Aug 24, 2024–Jan 12, 2025


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Maren Hassinger

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Slowly drawing on her face with grease crayon, Maren Hassinger builds up lines until they completely cover her skin. Alluding to the history of blackface and the act of applying makeup, Hassinger’s mask makes literal the effacing impact of race and gender stereotypes. She disrupts these flattening assumptions with a defiant smile at the end of the film, explaining: “With all that blackness covering who I am, and with all that application, all that endeavor . . . which women have to go through to cover who they are, I somehow look up into that light and there’s a kind of tentative smile. And the light in some ways indicates the possibility of something that isn’t bad. It is light, as a matter of fact. . . . Something that could be enlightening and strength-giving.”

Maren Hassinger, still from Daily Mask, 1997–2004

Person applying black face paint in a pattern around one eye.
Person applying black face paint in a pattern around one eye.

Maren Hassinger, Daily Mask, 1997–2004. 16mm film, color, sound, 3:32 min., transferred to video, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee 2020.77. © Maren Hassinger

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

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