Trust Me | Art & Artists

Aug 19, 2023–Feb 25, 2024


Exhibition works

11 total
Genesis Báez, Crossing Time, 2022
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Genesis Báez, Crossing Time, 2022


A woman sitting on a green leather sofa holding up a piece of string into a vivid yellow light while a silhouette also holds the same thread on the left.
A woman sitting on a green leather sofa holding up a piece of string into a vivid yellow light while a silhouette also holds the same thread on the left.

Genesis Báez, Crossing Time, 2022. Inkjet print: sheet, 37 5/8 × 27 3/8 in. (95.6 × 69.5 cm); image, 33 1/2 × 24 in. (85.1 × 61 cm). Edition 5/8. Whitney Museum of American Art, New York; purchase with funds from the Anne Levy Fund. © Genesis Báez

Genesis Báez, Crossing Time, 2022

In Crossing Time, Genesis Báez represents intergenerational ties with a length of thread supported on one end by her mother. The artist’s shadow appears to hold up the other end, creating the illusion of an unbroken line between the disparate worlds of the two figures. Through such carefully staged tableaux—mostly featuring the women in her family—Báez’s photographs convey the many forms of distance felt by members of the Puerto Rican diaspora, and how gesture and touch can bridge them. Báez grew up between Massachusetts and Puerto Rico, and her work reflects this inherent tension, a sense of place and belonging “disrupted,” as the artist has said, “by migration, colonial legacies, and climate change.” Cinematic and sometimes surreal, the images offer potential answers to impossible questions: How does one photograph a whisper, for example, or describe the sound of a circle? Can a certain slant of golden light, and the shadows of bodies, reveal hidden pathways and points of connection?

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

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Learn more at whitney.org/artport

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