Survival Piece #5: Portable Orchard 

June 29, 2024–Jan 5, 2025


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The Survival Piece Series

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Photographs and planning documents from the original installation of Portable Orchard, as well as installation views of the six other Survival Pieces, offer a glimpse into the first collaborations of the Harrisons, who married in 1953 and began working together in 1969. Each Survival Piece developed out of extensive research into a particular location in which the Harrisons sought to identify an environmental “anomaly” that could serve as a springboard for further consideration. Working with soil, animals, plants, and water within a gallery or museum context, the Harrisons were interested in the ways that the challenges they posed to host institutions could open up broader questions around feasibility in real-world applications. From the 1980s through the 2010s, the Harrisons created increasingly complex, site-responsive art installations around the world that functioned as works of bioregional planning and calls for large-scale environmental policy change.

Survival Piece VII: The Crab Farm, 1972-1973

Person working in a dimly lit room with large tanks and hanging lights, surrounded by wooden beams and exposed wiring.
Person working in a dimly lit room with large tanks and hanging lights, surrounded by wooden beams and exposed wiring.

The Harrisons, Survival Piece VII: The Crab Farm, 1972-1973. (installation view, University of California, San Diego, CA). Dimensions variable. © Helen and Newton Harrison Family Trust. Courtesy Various Small Fires, Los Angeles/Dallas/Seoul

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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