Jennifer Packer: The Eye Is Not Satisfied With Seeing

Oct 30, 2021–Apr 17, 2022


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The Body Has Memory

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This portrait of Packer’s close friend and fellow artist Eric N. Mack is one of several she has made with him as her subject. In this work, Packer has painted Mack facing the viewer with legs crossed, underscoring their familiarity with one another, while leaving it nearly impossible to discern his facial expression or details. Mack’s implicit refusal of the viewer’s gaze underscores Packer’s desire to get at something beyond a straightforward likeness of her sitter. She once remarked: “I used to say that I don’t trust representation. I’ve never seen a painting that looked real to me. But I’ve seen ones that felt real.” Here, she expresses that feeling or sensibility through her experimental and somewhat unlikely use of saturated color, bathing Mack entirely in red.

  • A seemingly melancholy man is sitting down and looking downward off in the distance.
    A seemingly melancholy man is sitting down and looking downward off in the distance.

    Jennifer Packer, The Body Has Memory, 2018. Oil on canvas, 60 × 48 in. (152.4 × 121.9 cm). Whitney Museum of American Art, New York; promised gift of Miyoung Lee and Neil Simpkins. © Jennifer Packer. Photograph by Jason Wyche. Image courtesy Sikkema Jenkins & Co., New York, and Corvi-Mora, London


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Maya Man, A Realistic Day In My Life Living In New York City

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