Lisa Anne Auerbach 

A textile with text and images on it.
A textile with text and images on it.

Lisa Anne Auerbach, Let the Dream Write Itself, 2014. Wool, 63 x 80 in. (160 x 203.2 cm) Collection of the artist and Gavlak Gallery, Palm Beach. Copyright Lisa Anne Auerbach. Photograph by Lisa Anne Auerbach

On View
Third Floor

Lisa Anne Auerbach’s work is on view in the Museum’s third floor galleries. American Megazine will be activated on Fridays, 6–9 pm.

Born 1967 in Ann Arbor, MI
Lives and Works in Los Angeles, CA

The knitted banner, garments modeled on mannequins, and large magazine (or “megazine”) on view in the 2014 Biennial are representative of Lisa Anne Auerbach’s diverse practice, at the intersection of visual art, self-publishing, political activism, and craft-making. After teaching herself to knit, Auerbach began incorporating political messages into her garments. Many of these messages are utopian or unabashedly propagandistic; others are poetically obscure or wistful musings on the efficacy of political activism. The examples in the Biennial include references to the Russian feminist punk rock group Pussy Riot and the hardcore punk band Minor Threat. There is also a pair of pants inspired by Honsestrik, a Danish knitting movement that, among other motives, encouraged people to wear more personally relevant clothing, untethered to the capitalist motivations of textile companies.

The phrases knit into Auerbach’s wall-hung banner, Let the Dream Write Itself, are drawn from her meetings with psychics throughout Southern California. She suggests that the ways that language functions in the New Age self-help culture and in activist movements are not entirely dissimilar: vague slogans are juxtaposed with bits of wisdom, all ultimately striving for (if not always achieving) transformational change.

In the second issue of her American Megazine, Auerbach takes the reader on a photographic tour of storefronts operated by psychics, including many quoted in the banner. American Megazine is a monument of sorts to the self-published zine movement, particularly those produced in the 1990s around feminist music scenes such as riot grrrl. It also humorously points to the history of books and conceptual architectural photography projects by fellow California artists, including Ed Ruscha (b. 1937) and Judy Fiskin (b. 1945).


2014 Biennial: Lisa Anne Auerbach


Public Program:
Art in the Age of Aquarius 


Works by Lisa Anne Auerbach

  • A textile with text and images on it.
    A textile with text and images on it.

    Lisa Anne Auerbach, Let the Dream Write Itself, 2014. Wool, 63 x 80 in. (160 x 203.2 cm) Collection of the artist and Gavlak Gallery, Palm Beach. Copyright Lisa Anne Auerbach. Photograph by Lisa Anne Auerbach

  • Two people flipping a huge magazine.
    Two people flipping a huge magazine.

    Lisa Anne Auerbach, American Megazine #1, 2013 (installation view with mega-girls, Los Angeles Municipal Art Gallery). Ink on paper, 60 x 39 x 1/2 in. (152.4 x 99.1 x 1.3 cm). Courtesy Lisa Anne Auerbach and Gavlak Gallery, Palm Beach. Copyright Lisa Anne Auerbach. Photograph by Lisa Anne Auerbach

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.