Whitney Screens: / Tuan Andrew Nguyen’s The Island Fri, May 15, 2020, 7 pm

Whitney Screens:
Tuan Andrew Nguyen’s The Island

Fri, May 15, 2020
7 pm

Large boat in tropical setting
Large boat in tropical setting

Tuan Andrew Nguyen, production photograph for The Island, 2017. Ultra-high-definition video, color, sound; 42:05 min. Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art with funds from the Film and Video Committee and the San Francisco Museum of Modern Art, with funds from The Fund for Contemporary Art 2020.18. © Tuan Andrew Nguyen. Image courtesy the artist

Become a member today!

Join now to enjoy early access to exhibitions and events, unlimited free admission, guest privileges, and more.

Join now

Learn more about access services and programs.

Online, live-streamed on Vimeo

Engage with video art in the Whitney's collection while you’re at home with Whitney Screens. Every Friday, we’re featuring special screenings of video works recently brought into the collection, all by emerging artists, in keeping with the Whitney’s long tradition of supporting artists at the beginning and during key moments of their careers.

Tuan Andrew Nguyen’s short film The Island is shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics.

Tuan Andrew Nguyen’s film takes place in a dystopian future in which the last man on earth—having escaped forced repatriation to Vietnam—finds a United Nations scientist who has washed ashore after the world’s last nuclear battle. By weaving together footage from Pulau Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.

This screening will present The Island in its entirety, with an introduction by Christopher Y. Lew, Nancy and Fred Poses Curator.

This live-stream has ended.

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.