Weekend Member Mornings: Last Look at Edges of Ailey

Weekend Member Mornings: Last Look at Edges of Ailey

The photograph shows a woman with long dark hair, wearing a brown outfit,   standing in front of a brightly colored red wall, looking at several paintings on display. The paintings are framed in various styles, with some larger than others.  The artworks themselves include:  a scene on a farm with two people seated, another depicts three people in a home, and there is one that shows a scene of nature with animals in a wooded environment.
The photograph shows a woman with long dark hair, wearing a brown outfit,   standing in front of a brightly colored red wall, looking at several paintings on display. The paintings are framed in various styles, with some larger than others.  The artworks themselves include:  a scene on a farm with two people seated, another depicts three people in a home, and there is one that shows a scene of nature with animals in a wooded environment.

Installation view of Edges of Ailey (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). From left to right: Horace Pippin, School Studies, 1944; Horace Pippin, Cabin in the Cotton, c. 1931-1937; Horace Pippin, Knowledge of God, 1944. Photograph by David Tufino

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Throughout the Whitney

Open to members

Saturday, February 8, 9:30-10:30 am
Sunday, February 9, 9:30-10:30 am

Start your day at the Whitney with special weekend morning access for a last look at Edges of Ailey before general admission ticketing begins.

During this time, members can also explore the newly opened exhibition Christine Sun Kim: All Day All Night .

Edges of Ailey
Floor 5

Christine Sun Kim: All Day All Night
Floor 3, Floor 8


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.