Exhibition Tour: Whitney Biennial Quiet as It’s Kept

Rindon Johnson, a selection of panels from An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, you know A slow crawl to the park Wait first meat A coffee A hill A roundabout A breeze on the lake A larking body of water, once screaming once babbling, once running A sleeping family A white child with A water gun A tall tree A tunneling A horn Another A too small blanket, you in my mind and next to me A wind in my ears, my basement look what I found, leave the lights on A sigh A tie on a rooftop A still flooding Another horn All in the flight path An immovable object A clapping of leaves A certainty, it is seven feet deep One boy watches the other A horn, 2022. Crayon, indigo, Vaseline, stone, ebonizing dye (coffee), gouache, and leather, four of eight panels. Collection of the artist; courtesy the artist and François Ghebaly Gallery, Los Angeles and New York. Photo by Paul Salveson