Every Ocean Hughes: One Big Bag Feb 18–20, 2023

Every Ocean Hughes: One Big Bag

Feb 18–20, 2023

A performer, wearing a tan tank top, a purple pleated skirt, and grey socks and sneakers, sits with her legs spread in a V-shape. She is framed on either side by hanging objects suspended by string: among them, red gloves, bells, a bottle of medical alcohol, bandages, and a bottle of Advil.
A performer, wearing a tan tank top, a purple pleated skirt, and grey socks and sneakers, sits with her legs spread in a V-shape. She is framed on either side by hanging objects suspended by string: among them, red gloves, bells, a bottle of medical alcohol, bandages, and a bottle of Advil.

Every Ocean Hughes, film still from One Big Bag, 2021. Co-commissioned by Studio Voltaire, London and Institute of Contemporary Art, Los Angeles, with additional support from the Whitney Museum of American Art. Courtesy of the artist

Become a member today!

Join now to enjoy early access to exhibitions and events, unlimited free admission, guest privileges, and more.

Join now

The Susan and John Hess Family Theater is equipped with an induction loop and infrared assistive listening system. Accessible seating is available.

Learn more about access services and programs.

Floor 3, Theater

One Big Bag, 2021
Film and installation; 40 minutes 

February 17, 7–10 pm
February 18, 10:30 am–6 pm
February 19, 10:30 am–6 pm
February 20, 10:30 am–6 pm

Every Ocean Hughes’s (b. 1977) One Big Bag (2021) reckons with end-of-life care for the newly deceased and those who love them. At once useful, political, and poignant, a death doula (performed by Lindsay Rico) guides us through a mobile toolkit of everyday items used to clean and care for corpses. Instructive and forcefully delivered, the monologue reveals how cotton swabs, textiles, feminine hygiene products, medicines, and combs, among other objects, are repurposed to practical and often profound ends. In the immersive film installation, these objects are suspended at heights corresponding with their relationship and use to the body. Together, the projected film and everyday items convey the complex realities and communal possibilities of caring for the dead while highlighting important debates around end-of-life practices, including the high costs of funerals—a death industry that curtails individual agency—and inequalities in medical care. 


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.