Even Better Than the Real Thing: Curating the Whitney Biennial 2024 Wed, May 1, 2024, 6:30 pm

Even Better Than the Real Thing: Curating the Whitney Biennial 2024

Wed, May 1, 2024
6:30 pm

Person with arms raised facing a serene lake and mountains.
Person with arms raised facing a serene lake and mountains.

Clarissa Tossin, still from Mojo’q che b’ixan ri ixkanulab’/Antes de que los volcanes canten/Before the Volcanoes Sing, 2022. HD video, color, sound; 64:17 min. Commissioned by the Curtis R. Priem Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute. © Clarissa Tossin. Courtesy the artist; Galeria Luisa Strina, São Paulo; and Commonwealth and Council, Los Angeles and Mexico City

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The Susan and John Hess Family Theater is equipped with an induction loop and infrared assistive listening system. Accessible seating is available.

This program will be recorded and made available on the Whitney's YouTube channel.

Live captioning will be available online and in-person for this event. If you need captions in a separate browser window or on your own mobile device, please email accessfeedback@whitney.org for StreamText link.

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Floor 3, Theater and Online, via Zoom

Join 2024 Whitney Biennial: Even Better Than the Real Thing co-curators Chrissie Iles and Meg Onli for a conversation with Deana Haggag about the process of organizing this edition of the Whitney’s signature exhibition. Their discussion will consider key themes in the 2024 Biennial, including the fluidity of identity and form, historical and current land stewardship, and concepts of embodiment, among other urgent throughlines. 

Deana Haggag is an arts administrator, cultural worker, and strategic advisor. She is currently a Program Officer in Arts and Culture at the Mellon Foundation.

Chrissie Iles is Anne and Joel Ehrenkranz Curator at the Whitney.

Meg Onli is Curator at Large at the Whitney.


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.