Art History from Home: / Collective Memory in Contemporary Black Art Thurs, Oct 28, 2021, 12 pm

Art History from Home:
Collective Memory in Contemporary Black Art

Thurs, Oct 28, 2021
12 pm

A work by Kerry James Marshall. A figure sits in a domestic room surrounded by the faces of cultural and political pioneers of the 1950s
A work by Kerry James Marshall. A figure sits in a domestic room surrounded by the faces of cultural and political pioneers of the 1950s

Kerry James Marshall, Souvenir IV, 1998. Acrylic, glitter, and screenprint on paper and tarpaulin with metal grommets, 107 5/8 × 157 1/2 in. (273.4 × 400.1 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 98.56. © Kerry James Marshall; courtesy Jack Shainman Gallery, New York

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This event will have automated closed captions through Zoom. Live captioning is available for public programs and events upon request with seven business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.

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Online, via Zoom

This series of online talks asks the Whitney’s Joan Tisch Teaching Fellows to highlight select works in the Museum’s collection to illuminate critical topics in American art from 1900 to the present. During each thirty-minute session, participants are invited to comment and ask questions through a moderated chat for a fifteen-minute Q&A following the talk. Sessions are available live only, but topics and speakers do periodically repeat. Check back here for more sessions added regularly.        

This session looks at the ways contemporary Black artists draw on collective memory to play with, challenge, and transform notions of identity. We will consider works by Faith Ringgold, Betye Saar, and Kerry James Marshall to explore how these artists subvert the canon of American art and culture.

Ayanna Dozier is an artist, lecturer, curator, and scholar. She recently completed her Ph.D. in art history and communication studies at McGill University. She is the author of the 33 ⅓ book on Janet Jackson’s The Velvet Rope. She is currently a Joan Tisch Teaching Fellow at the Whitney and a lecturer in the Department of Communication and Media Studies at Fordham University. 

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.