Art History from Home:
Technology and Fantasy
Technology and Fantasy
Tues, July 27, 2021
6 pm
Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978–79. Video, color, sound, 5:50 min., looped, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from the Film, Video, and New Media Committee 2009.22. Courtesy Electronic Arts Intermix (EAI), New York.
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This event will have automated closed captions through Zoom. Live captioning is available for public programs and events upon request with seven business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.
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Online, via Zoom
This series of online talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum’s collection and current exhibitions to illuminate critical topics in American art from 1900 to the present. During each thirty-minute session, participants are invited to comment and ask questions through a moderated chat for a fifteen-minute Q&A following the talk. Sessions are available live only, Tuesdays at 6 pm and Thursdays at 12 pm, but topics and speakers do periodically repeat. Check back here for more sessions added regularly.
In the twenty-first century, we find ourselves in increasingly media-saturated and mediated realities. This session explores how artists such as Nam June Paik, Dara Birnbaum, and Cory Arcangel have drawn on popular culture to address the changing nature of the self within these experiences. We will consider a range of artistic mediums—from photography to video installations to games—to explore technology’s role in both limiting and generating new kinds of agency for art-makers and viewers alike.
Xin Wang is a Joan Tisch Teaching Fellow at the Whitney and a Ph.D. candidate in modern and contemporary art at the Institute of Fine Arts, NYU, focusing on Soviet hauntology in postmodernism. She has curated and lectured widely in the U.S., Europe, and Asia. Her latest writings have appeared in Art in America, Art Agenda, and Mousse. She is currently planning an exhibition that explores Asian Futurisms for the Museum of Chinese in America in New York City.