Ailey Dance Class: / Broadway Jazz   Thurs, Oct 17, 2024, 4–5 pm

Ailey Dance Class:
Broadway Jazz  

Thurs, Oct 17, 2024
4–5 pm

Tickets

Tickets are required and include Museum admission. $35 General Admission $10 Members.

Doors open approximately 30 minutes prior to start time. To protect the focus and integrity of our teachers, latecomers will not be admitted. Tickets cannot be refunded or exchanged. Additional tickets may become available closer to the program date. Check back often. Participants may be required to remove shoes during the class.

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The Susan and John Hess Family Theater is equipped with an induction loop and infrared assistive listening system. Accessible seating is available.

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Floor 3, Theater

October 17 at 4–5 pm 

Perfect for students who love Broadway dance and want to learn how to pick up combinations quickly and perform them with confidence, this class features Broadway show tunes and choreography from beginning to end.  

Broadway dance is synonymous with musical theater and has roots in African American social dance, classical ballet, jazz ballet, and vaudeville. Broadway dance combines body isolations, long extensions, and percussive movements, moving from slinky and sensual to fast and dynamic. 

In addition to technique and performance skills, participants will also learn the history of the songs, the composers, the artists, and their influence on musical theater history, from Golden Age musicals to today’s shows, while developing your personal style and character.  

Instructor

Matthew Johnson-Harris is a director, choreographer, writer, and developer.  He most recently choreographed Take Me to the World: A Tribute to Stephen Sondheim at Carnegie Hall and served on the directing teams for the Tony-nominated Hangmen and Tony-winning revival of Parade. He is currently the Associate Director for Hippest Trip: The Soul Train Musical. Up next, he will serve as choreographer on The Preacher’s Wife, premiering at the Alliance Theatre.  He aspires to tell stories that celebrate individual identity while simultaneously creating more intersectionality.