Double Take: / Dialogue Across Generations Jan 14–Feb 11, 2024

Double Take:
Dialogue Across Generations

Jan 14–Feb 11, 2024

A vibrant painting depicts a bustling nighttime street scene of an African American community in an urban setting. A glowing street lamp casts a blue hue over the scene, in which a diverse group of musicians play brass instruments and tambourines, people dance, and others converse. A tall man with exaggerated features stands on a pedestal that reads "Jesus Saves," playing a trumpet. To the right, a woman in a green dress and red stilettos walks a small white dog past an elderly man with a cane. In the background, buildings with lighted windows reveal more onlookers, including a market storefront with meat hanging in the window, a house with a front porch where a woman and a child observe the scene, and an apartment building with residents peering out.
A vibrant painting depicts a bustling nighttime street scene of an African American community in an urban setting. A glowing street lamp casts a blue hue over the scene, in which a diverse group of musicians play brass instruments and tambourines, people dance, and others converse. A tall man with exaggerated features stands on a pedestal that reads "Jesus Saves," playing a trumpet. To the right, a woman in a green dress and red stilettos walks a small white dog past an elderly man with a cane. In the background, buildings with lighted windows reveal more onlookers, including a market storefront with meat hanging in the window, a house with a front porch where a woman and a child observe the scene, and an apartment building with residents peering out.

Archibald John Motley, Jr., Gettin’ Religion, 1948. Oil on linen, 32 × 39 7/16 in. (81.3 × 100.2 cm). Whitney Museum of American Art, New York; purchase Josephine N. Hopper Bequest, by exchange 2016.15. © Valerie Gerrard Browne

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Floor 7

February 11
11:30 am and 3 pm

Join two Whitney experts—a highly-trained volunteer docent and a teen leader from the Museum’s Youth Insights program—on a special intergenerational tour of The Whitney’s Collection: Selections from 1900 to 1965. The guides will share their thoughts on selected artworks while encouraging participants to look closely at the pieces and discuss them together. Each forty-minute session focuses on a single work of art or explores a connection between two works.


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.