Guyton\Walker’s Downtown Commission Part Two: The Process
May 25, 2010

Producing and installing Guyton\Walker's downtown project was an intensive process that involved a large team.

A worker holds a piece of vinyl inside a production room.
A worker holds a piece of vinyl inside a production room.

After holes are cut into each piece of vinyl, a technician has to grommet each piece by hand. Photograph by Pierce Jackson

Because the work involved printing on large-scale pieces of vinyl, the artists outsourced the production to SelectoFlash, a commercial graphic printing house. We visited their corporate headquarters in West Orange, New Jersey to see the printing firsthand.

A worker pulls a large section of vinyl out of a machine.
A worker pulls a large section of vinyl out of a machine.

A piece of vinyl comes off SelectoFlash's printer. Photograph by Pierce Jackson

We had never seen such a huge printer before! It actually filled an entire room. As the sheets came out, they were rolled down a conveyor belt and traveled underneath industrial-sized dryers.

A machine cuts holes in a piece of vinyl.
A machine cuts holes in a piece of vinyl.

Holes are die cut into every piece of vinyl that will be hung on the fence. Photograph by Pierce Jackson

City laws require that holes be placed in any material covering a fence, so Guyton\Walker designed a computer program to randomly die cut holes into each piece of vinyl that was to be hung at the site.  These pieces were then grommetted by hand. For the pieces that would be placed on the pavement, SelectoFlash finished them with a special weather- and car-proof laminate.

Two men roll out a piece of vinyl on the pavement for an art installation.
Two men roll out a piece of vinyl on the pavement for an art installation.

The team lays temporary decals onto the pavement at the site. Photograph by Pierce Jackson

Installation at the High Line began at the end of April and took place over several days.

A section of red, white and blue vinyl is attached to a fence.
A section of red, white and blue vinyl is attached to a fence.

The vinyl is hung around the entire perimeter of the site. Photograph by Pierce Jackson

A large crew worked to place decals and hang the vinyl pieces from the fences and trailers, while Kelley Walker and Wade Guyton oversaw the installation.  Luckily, New York City saw one its warmest weekends, and the installation was complete for the official opening on May 8.  Guyton\Walker will be on view at the Whitney's new site through June 23. Stay tuned for the next downtown commission by Tauba Auerbach!

UPDATE: Unfortunately, the good weather didn't last too long! Last week, a rainstorm with extremely high winds ripped off some of the vinyl panels from the fences and crews rushed in to repair the project, which is now fully back on view.

By Sarah Meller, Education Assistant

On the Hour

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Learn more at whitney.org/artport

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