Solo en Inglès

This audio guide highlights selected works from the exhibition SHERRIE LEVINE: MAYHEM and features commentary by Johanna Burton, guest curator, critic, and art historian; Thomas Crow, art historian; Richard Flood, chief curator at the New Museum; Howard Singerman, critic and art historian; Carrie Springer, senior curatorial assistant; and Elisabeth Sussman, curator and Sondra Gilman Curator of Photography.

Sherrie Levine (b. 1947), _Crystal Skull_, 2011. Cast glass, 5 1/2 × 7 × 4 1/2 in. (14 × 17.8 × 11.4 cm). Private collection; courtesy Jablonka Galerie, Cologne. © Sherrie Levine. Photograph by Davina Semo; image courtesy Paula Cooper Gallery, New York

NARRATOR: The Crystal Skulls respond to the European still life tradition. Howard Singerman.

HOWARD SINGERMAN: The skull, which since the Renaissance, if not before, has long been an image of the vanitas, of the presence of death. Here it's presented, one after another, in vitrine, the crystal skulls, without perhaps the affect or the setting, the place that it would have within a still life. It's as though a kind of still life supply store, where one might come and get a skull or just simply set out as sculpture.

NARRATOR: There are twelve skulls, so repetition is an important part of the work.

HOWARD SINGERMAN: A repetition that, since Warhol if not before, has been about a kind of cooling off of hot objects, a cooling off of emotional objects, at the same time, creating that coldness, too, as a different kind of emotional feeling.

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