Solo en Inglès

This audio guide highlights selected works from the exhibition SHERRIE LEVINE: MAYHEM and features commentary by Johanna Burton, guest curator, critic, and art historian; Thomas Crow, art historian; Richard Flood, chief curator at the New Museum; Howard Singerman, critic and art historian; Carrie Springer, senior curatorial assistant; and Elisabeth Sussman, curator and Sondra Gilman Curator of Photography.

Sherrie Levine (b.1947), _After Courbet: 1–18_, 2009 (detail). Postcard on mat board, 20 × 16 in. (50.8 × 40.6 cm). Paula Cooper Gallery, New York. © Sherrie Levine. Photograph by Seth Erickson; image courtesy Paula Cooper Gallery, New York

JOHANNA BURTON: After Courbet from 2010 is made up of 18 postcards.

NARRATOR: They present a painting by Gustave Courbet from 1866, which he called Origin of the World. Johanna Burton.

JOHANNA BURTON: In the image, of course, you see the genitals, stomach, and breasts of an anonymous woman, a framing of the nude body that truncates and pretty much just shows these particular elements.

NARRATOR: In a move utilized by other nineteenth- and twentieth-century modernists, Courbet played with the idea that artist’s creativity was a life-giving power rivaling female sexual reproduction. In this image he both presented the female body as an erotic object and as an explicit metaphor.

JOHANNA BURTON: Of course, the notion of the origin, both in terms of authorship, but also in terms of biological imperatives for reproduction, are interesting when one thinks about Levine's own place as a woman artist in relationship to this image. She both sort of renders this idea of reproduction and originality moot, but also seems to multiply its implications.