America Is Hard to See

Solo en Inglès

This audio guide highlights selected works by artists in America Is Hard to See. Curators, scholars, and artists provide additional commentary.

613Louise Nevelson, Dawn’s Wedding Chapel II, 1959


Louise Nevelson (1899 1988). _Dawn's Wedding Chapel II_, (1959). Painted wood, 115 7/8 × 83 1/2 × 10 1/2 in. (294.3 × 212.1 × 26.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Howard and Jean Lipman Foundation, Inc. 70.68a m © 2015 Estate of Louise Nevelson / Artists Rights Society (ARS), New York

NARRATOR: In this large wood sculpture made of found objects painted white, Louise Nevelson has transformed prosaic materials into an evocative shrine. The artist filled stacked compartments with discarded items she found on the streets—scraps of wood, parts of furniture, ornate architectural moldings, and banister railings. Nevelson had an intuitive approach to making art, perhaps influenced by her early training in modern dance. Here, she created a rhythmic composition through her use of light and shadow, and juxtapositions of different shapes and textures.

This work was originally part of a larger installation called Dawn’s Wedding Feast, which Nevelson created for an exhibition at The Museum of Modern Art in 1959. The work consisted of hundreds of stacked boxes and wooden forms—all painted white. Prior to this exhibition, her sculptures had almost always been black. Nevelson described her new installation as “a white wedding cake, a wedding mirror. . .a pillow. . .a kind of fulfillment, a transition to a marriage with the world.” After the exhibition closed, the artist dismantled the installation and reshuffled the individual boxes to form new discrete sculptures like this one—creating a miniature world of geometry and magic.