America Is Hard to See

Solo en Inglès

This audio guide highlights selected works by artists in America Is Hard to See. Curators, scholars, and artists provide additional commentary.

Richard Serra, Prop, 1968, refabricated 2007

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Adam Weinberg: This five-foot square sheet of lead is held in place with a large lead tube propped against the wall.  

Narrator: Adam Weinberg is Alice Pratt Brown Director of the Whitney Museum.

Adam Weinberg: At first you may be tempted to think of this work as a study in geometric forms. Notice how the tube casts shadows on the wall and the floor.  Some viewers see the flat wall sheet as a reference to a painting.

Yet the artist, Richard Serra, claimed he was mainly concerned with the process of making sculpture. In l967, the year before he created this piece, he began composing a list of verbs: "to roll, to cut, to tear, to shorten, to chip, to force. . ." and so on. The verb here is "to prop." The wall is propping up the tube, and the tube props up the sheet. The sculpture, then, is a way of acting out the verb “to prop” in the medium of lead.

The arrangement points to the forces of gravity, weight, and motion that are constantly present in the world around us. The sculpture creates a direct, physical awareness in us as we contemplate its precarious position.

A sculpture of a steel pole leaning against a square of steel on a wall.

Adam Weinberg: This five-foot square sheet of lead is held in place with a large lead tube propped against the wall.  

Narrator: Adam Weinberg is Alice Pratt Brown Director of the Whitney Museum.

Adam Weinberg: At first you may be tempted to think of this work as a study in geometric forms. Notice how the tube casts shadows on the wall and the floor.  Some viewers see the flat wall sheet as a reference to a painting.

Yet the artist, Richard Serra, claimed he was mainly concerned with the process of making sculpture. In l967, the year before he created this piece, he began composing a list of verbs: "to roll, to cut, to tear, to shorten, to chip, to force. . ." and so on. The verb here is "to prop." The wall is propping up the tube, and the tube props up the sheet. The sculpture, then, is a way of acting out the verb “to prop” in the medium of lead.

The arrangement points to the forces of gravity, weight, and motion that are constantly present in the world around us. The sculpture creates a direct, physical awareness in us as we contemplate its precarious position.


Richard Serra, Prop, 1968, refabricated 2007. Lead antimony and steel, 89 1/2 × 60 × 54 in. (227.3 × 152.4 × 137.2 cm). Whitney Museum of American Art, New York; purchase, with funds from the Howard and Jean Lipman Foundation, Inc. 69.20a b © 2015 Richard Serra / Artists Rights Society ( ARS), New York