Hopper Drawing

Solo en Inglès

An in-depth exploration of the connections between Edward Hopper’s drawings and paintings with commentary by Carter Foster, Steven and Ann Ames Curator of Drawing at the Whitney.

Hopper's iconic painting of empty street scene.

Edward Hopper (1882–1967), Early Sunday Morning, 1930. Oil on canvas, 35 3/16 × 60 1/4 in. (89.4 × 153 cm). Whitney Museum of American Art, New York; purchase with funds from Gertrude Vanderbilt Whitney 31.426. © Heirs of Josephine N. Hopper/Licensed by VAGA, New York, NY

CARTER FOSTER: A building very much like Early Sunday Morning forms the background of Nighthawks. Early Sunday Morning represents daytime. Nighthawks represents nighttime. 

Here, the overarching subject matter would be times of day and the passing of time, day to night. It's also about memory and the way that the urban environment changes. I think that we can look at the paintings together and they enrich each other and give us a larger context that Hopper was thinking about when he made both works.