Fast Forward: Painting from the 1980s Audio Guide Playlist
Leon Golub: White Squad really means death squad; that’s another term for it. These are attempts on my part to grapple with events today, to grapple with media in a certain sense, and to put things up front as much as I can.
Narrator: This painting depicts five men in the aftermath of an execution. Leon Golub drew on a variety of journalistic sources in making the composition, which responds to large-scale human rights abuses committed by death squads in Central and South America. Golub was particularly concerned with these groups because they often worked on behalf of governments who had been installed or supported by the C.I.A.
Golub once described his style as a form of “barbaric realism.” Much of its roughness comes from his painting technique. He described his method in this 1999 lecture, recorded at the Whitney.
Leon Golub: I build up the paint, I build up a number of surfaces, and I scrape it down using solvents. In a sense I skin the canvas to remove the external traces of color and form, and often will rebuild toward the end partially.
- 800 Introduction to Fast Forward: Painting from the 1980s
- 801 Julia Wachtel, Membership, 1984
- 802 Kenny Scharf, When the Worlds Collide, 1984
- 804 Terry Winters, Good Government, 1984
- 805 Elizabeth Murray, Druid, 1979
- 806 Joyce Pensato, Reclining Glove, 1983
- 807 Joyce Pensato, Untitled, 1992
- 808 Andrew Massullo, 1667, 1988
- 809 David Wojnarowicz, Fear of Monkeys/Evolution, 1988
- 810 David Salle, Sextant in Dogtown, 1987
- 811 Robert Colescott, The Three Graces: Art, Sex and Death, 1981
- 811-2 Robert Colescott, The Three Graces: Art, Sex and Death, 1981
- 812 Leon Golub, White Squad I, 1982
- 813 Eric Fischl, A Visit To / A Visit From / The Island, 1983