. . . as apple pie
June 8, 2012–June 9, 2013
Stow Wengenroth (1907–1978), Bird of Freedom, 1942. Lithograph, 21 9/16 × 15 1/16 in. (54.8 × 38.3 cm). Whitney Museum of American Art, purchase 42.13
Images, like words, can trigger a cultural or emotional response to a shared national ethos. Artists have employed images—sometimes straightforwardly, often obliquely—in order to comment on a country, its people, its political or social goals, and its self-image. This exhibition explores this phenomenon through a rotating installation, drawn from the Whitney’s collection, of works on paper by a diverse group of artists including Robert Bechtle, Enrique Chagoya, Howard Cook, William N. Copley, Edward Hopper, Willard Midgette, Joseph Pennell, Benton Spruance, and Stow Wengenroth.
. . . as apple pie is organized by David Kiehl, Curator, Prints.
Artists
- Robert Bechtle
- Fred Becker
- Thomas Hart Benton
- Enrique Chagoya
- Howard Cook
- William N. Copley
- Stevan Dohanos
- Walton Ford
- Robert Gober
- Tim Hillis
- Edward Hopper
- Jasper Johns
- Armin Landeck
- Elizabeth [Grandma] Layton
- Russell Limbach
- Louis Lozowick
- Willard F. Midgette
- Frank Moore
- LeRoy Neiman
- Mark Newport
- Joseph Pennell
- Robert Rauschenberg
- Charles Ray
- Edward Ruscha
- Juan Sánchez
- Georges Schreiber
- Dread Scott
- Jaune Quick-to-See Smith
- Kiki Smith
- Raphael Soyer
- Benton Murdoch Spruance
- May Stevens
- Paul Thek
- Morris Topchevsky
- Stow Wengenroth