Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • A thin green triangular strip runs horizontally near the top of a large white canvas.
    A thin green triangular strip runs horizontally near the top of a large white canvas.

    Carmen Herrera, Blanco y Verde, 1959. Acrylic on canvas, overall: 68 1/8 × 60 1/2 in. (173 × 153.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2014.63. © Carmen Herrera; courtesy Lisson Gallery, London

    2016:
    © Carmen Herrera

  • Three overlapping American flags with stars and stripes, arranged in a layered pattern.
    Three overlapping American flags with stars and stripes, arranged in a layered pattern.

    Jasper Johns, Three Flags, 1958. Encaustic on canvas, overall: 30 5/8 × 45 1/2 × 4 5/8 in. (77.8 × 115.6 × 11.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum's 50th Anniversary 80.32. © Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York

  • A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.
    A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.

    Alexander Calder, Big Red, 1959. Painted sheet metal and steel wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art, and by exchange 61.46a-c. © Calder Foundation, New York / Artists Rights Society (ARS), New York

  • Dark smoke stacks towering against a gray sky
    Dark smoke stacks towering against a gray sky

    Elsie Driggs, Pittsburgh, 1927. Oil on canvas, overall: 34 1/4 × 40 1/4 in. (87 × 102.2 cm). Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney 31.177. © Estate of Elsie Driggs

  • Abstract figure with colorful hair and various objects attached. Text reads "SHE'S HiT" at the top.
    Abstract figure with colorful hair and various objects attached. Text reads "SHE'S HiT" at the top.

    Jim Nutt, She's Hit, 1967. Acrylic on plexiglass, with wood frame, overall: 36 × 24 in. (91.4 × 61 cm). Whitney Museum of American Art, New York; purchase, with funds from the Larry Aldrich Foundation Fund 69.101

  • Against a black background, chalky organic shapes stack to form a totem-like structure.
    Against a black background, chalky organic shapes stack to form a totem-like structure.

    Norman Lewis, American Totem, 1960. Oil on canvas, overall: 73 11/16 × 43 1/8 in. (187.2 × 109.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Laurie M. Tisch Illumination Fund in memory of Preston Robert and Joan Tisch, the Painting and Sculpture Committee, Director’s Discretionary Fund, Adolph Gottlieb, by exchange, and Sami and Hala Mnaymneh 2018.141. © Norman Lewis, courtesy of Michael Rosenfeld Gallery, LLC.

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.