Free at the Whitney
Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day.
The Whitney Biennial
The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026.
Family Programs
Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.
Video
Watch our latest video series to dive deeper into art at the Whitney.
Podcasts
Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.
Dive Into Our Collection
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Alan Michelson, Wolf Nation, 2018. Video, color, sound, 9:59 min., aspect Ratio: 4.014. Whitney Museum of American Art, New York; purchase, with funds from the Director’s Discretionary Fund 2019.327. © Alan Michelson
Laura Ortman, sound -
Alma Thomas, Mars Dust, 1972. Acrylic on canvas, overall: 69 1/4 × 57 1/8 in. (175.9 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from The Hament Corporation 72.58. © Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York
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Helen Frankenthaler, Flood, 1967. Acrylic on canvas, overall: 124 1/4 × 140 1/2 in. (315.6 × 356.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.12. © Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
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Willem de Kooning, Woman and Bicycle, 1952–1953. Oil, enamel, and charcoal on linen, overall: 76 1/2 × 49 1/8 in. (194.3 × 124.8 cm). Whitney Museum of American Art, New York; purchase 55.35. © The Willem de Kooning Foundation/ Artists Rights Society (ARS), New York
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Hannah Wilke, S.O.S. Starification Object Series (Curlers), 1974. Gelatin silver print, sheet: 40 × 27 in. (101.6 × 68.6 cm) Image: 40 × 27 in. (101.6 × 68.6 cm) Mount (board): 40 × 27 × 1/16 in. (101.6 × 68.6 × 0.2 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee and partial gift of Marsie, Emanuelle, Damon and Andrew Scharlatt 2005.33. © Marsie, Emanuelle, Damon and Andrew Scharlatt / Licensed by VAGA at Artists Rights Society (ARS), New York
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Charles Demuth, My Egypt, 1927. Oil, fabricated chalk, and graphite pencil on composition board, overall: 35 15/16 × 30 in. (91.3 × 76.2 cm). Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney 31.172