Roy Lichtenstein: 
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Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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Model zipping a red-and-blue dotted sherpa fleece inspired by Lichtenstein’s Cathedral #2

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs

A large stainless steel structure—the outline of a pier—hovers over the Hudson River at dusk.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for commissions of net art.

Dive Into Our Collection

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  • Against a black background, chalky organic shapes stack to form a totem-like structure.
    Against a black background, chalky organic shapes stack to form a totem-like structure.

    Norman Lewis, American Totem, 1960. Oil on canvas, overall: 73 11/16 × 43 1/8 in. (187.2 × 109.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Laurie M. Tisch Illumination Fund in memory of Preston Robert and Joan Tisch, the Painting and Sculpture Committee, Director’s Discretionary Fund, Adolph Gottlieb, by exchange, and Sami and Hala Mnaymneh 2018.141. © Norman Lewis, courtesy of Michael Rosenfeld Gallery, LLC.

  • A cluster of long, bending, caked black rods emerges from a nest of rocks. The rocks sit on a patch of black, ash-like material.
    A cluster of long, bending, caked black rods emerges from a nest of rocks. The rocks sit on a patch of black, ash-like material.

    David Hammons, Untitled, 1992. Human hair, wire, metallic mylar, sledgehammer, plastic beads, string, metal food tin, panty hose, leather, tea bags, and feathers
    , dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Mrs. Percy Uris Bequest and the Painting and Sculpture Committee 92.128a-z. © 2025 David Hammons / Artists Rights Society (ARS), New York

  • Camera on tripod faces a white wall collage showing a person's legs and small photos.
    Camera on tripod faces a white wall collage showing a person's legs and small photos.

    Paul Mpagi Sepuya, Self-Portrait Study with Roses at Night (1709), 2015. Inkjet print, sheet: 87 5/16 × 60 1/16 in. (221.8 × 152.6 cm) Image: 83 7/8 × 59 5/8 in. (213 × 151.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2017.59. © Paul Mpagi Sepuya

  • Crowded nighttime street with brass musicians playing while people dance, walk, and watch from porches.
    Crowded nighttime street with brass musicians playing while people dance, walk, and watch from porches.

    Archibald John Motley, Jr., Gettin' Religion, 1948. Oil on linen, overall: 32 × 39 7/16 in. (81.3 × 100.2 cm). Whitney Museum of American Art, New York; purchase, Josephine N. Hopper Bequest, by exchange 2016.15. © Valerie Gerrard Browne

  • Large black curved shapes dominate the page with the handwritten words 'TOO MUCH FUTURE' above them.
    Large black curved shapes dominate the page with the handwritten words 'TOO MUCH FUTURE' above them.

    Christine Sun Kim, Too Much Future, 2017. Charcoal on paper, sheet: 17 3/16 × 29 1/8 in. (43.7 × 74 cm) Image: 17 3/16 × 28 1/8 in. (43.7 × 71.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing Committee 2018.183. © Christine Sun Kim

  • Three drunk male sailors canoodle with three women in a park.
    Three drunk male sailors canoodle with three women in a park.

    Paul Cadmus, Sailors and Floosies, 1938. Oil and tempera on linen mounted on composition board, with wood frame, overall (framed): 33 11/16 × 48 1/2 in. (85.6 × 123.2 cm). Whitney Museum of American Art, New York; gift of Malcolm S. Forbes 64.42a-b. © Estate of Paul Cadmus / Licensed by VAGA at Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.