Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for commissions of net art.


Dive Into Our Collection

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  • A small teddy bear stands on a wooden floor looking at its reflections in two mirrors.
    A small teddy bear stands on a wooden floor looking at its reflections in two mirrors.

    Juan Antonio Olivares, Moléculas, 2017. Video, color, sound, 10 min., aspect Ratio: 16:9. Whitney Museum of American Art, New York; purchase, with funds from the Film, Video, and New Media Committee 2017.185. © Juan Antonio Olivares, courtesy Off Vendome, New York

  • New York skyline with the Statue of Liberty pedestal labeled LIBERTY and a nearby warship flying an American flag.
    New York skyline with the Statue of Liberty pedestal labeled LIBERTY and a nearby warship flying an American flag.

    Florine Stettheimer, New York/Liberty, 1918–1919. Oil on canvas, overall (framed): 70 1/2 × 44 1/2 × 2 in. (179.1 × 113 × 5.1 cm). Whitney Museum of American Art, New York; Bequest of William Kelly Simpson in memory of his father, Kenneth F. Simpson, member of the 76th Congress from New York City, and his mother, Helen-Louise Knickerbacker Porter Simpson 2017.190a-b

  • A background of blue obscured almost completely by bright red streaks running up and down the canvas.
    A background of blue obscured almost completely by bright red streaks running up and down the canvas.

    Alma Thomas, Mars Dust, 1972. Acrylic on canvas, overall: 69 1/4 × 57 1/8 in. (175.9 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from The Hament Corporation 72.58. © Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York

  • People in a boat with blue ropes, wearing patterned clothing, appear thoughtful and somber.
    People in a boat with blue ropes, wearing patterned clothing, appear thoughtful and somber.

    Jacob Lawrence, War Series: Going Home, 1947. Tempera on composition board, overall: 16 1/8 × 20 3/16 in. (41 × 51.3 cm) Image: 15 7/8 × 20 1/16 × 1/8 in. (40.3 × 51 × 0.3 cm). Whitney Museum of American Art, New York; gift of Mr. and Mrs. Roy R. Neuberger 51.17a-b. © The Jacob and Gwendolyn Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

  • Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid
    Grid of neatly packed seafoam colored Coca-Cola bottles. A bright red logo of the Coca-Cola brand is placed on the center plane, underneath the grid

    Andy Warhol, Green Coca-Cola Bottles, 1962. Acrylic, screenprint, and graphite pencil on canvas, overall: 82 3/4 × 57 1/8 in. (210.2 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.25. © The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

  • Three nude figures sit with their backs to the camera, the left person resting an arm on a round sculpture.
    Three nude figures sit with their backs to the camera, the left person resting an arm on a round sculpture.

    Yvonne Rainer, Five Easy Pieces, 1966–1969. 8mm and 16mm film, black-and-white, silent, 48 min., transferred to video, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from Joanne Leonhardt Cassullo in honor of Ron Clark and The Independent Study Program 2011.91. © Yvonne Rainer

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.