Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • A woman’s life plays out on a TV set in the middle of her living room.
    A woman’s life plays out on a TV set in the middle of her living room.

    Lynn Hershman Leeson, Lorna, 1979–1984. Video installation, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Digital Art Committee, the Director's Discretionary Fund, and Nina and Michael Zilkha 2019.291. © Lynn Hershman Leeson

  • Backwards glowing neon sign spelling 'AMERICA' mounted on wall with cords and power boxes below.
    Backwards glowing neon sign spelling 'AMERICA' mounted on wall with cords and power boxes below.

    Glenn Ligon, Rückenfigur, 2009. Neon and paint, overall: 24 × 145 1/2 × 5 in. (61 × 369.6 × 12.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2011.3a-i. © Glenn Ligon

  • Hand-scribbled colorful letters read "Crossing all the borders" in green, blue, and red.
    Hand-scribbled colorful letters read "Crossing all the borders" in green, blue, and red.

    Hock E Aye Vi Edgar Heap of Birds, Crossing All the Borders, 1987. Pastel on paper, sheet: 22 × 29 7/8 in. (55.9 × 75.9 cm) Image: 22 × 29 7/8 in. (55.9 × 75.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing Committee 2018.137.10. © Hock E Aye VI Edgar Heap of Birds

  • A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above
    A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above

    Emma Amos, Baby, 1966. Oil on canvas, overall: 45 × 50 1/8 in. (114.3 × 127.3 cm). Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art, New York, with funds from the Painting and Sculpture Committee; and The Studio Museum in Harlem, Museum purchase with funds provided by Ann Tenenbaum and Thomas H. Lee 2019.1a-b. © Emma Amos; courtesy of the artist and RYAN LEE Gallery, New York

  • A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.
    A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.

    Alexander Calder, Big Red, 1959. Painted sheet metal and steel wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art, and by exchange 61.46a-c. © Calder Foundation, New York / Artists Rights Society (ARS), New York

  • A swan floats against a dreamy, colorful backdrop of sharp and fluid shapes
    A swan floats against a dreamy, colorful backdrop of sharp and fluid shapes

    Agnes Pelton, Ahmi in Egypt, 1931. Oil on canvas, overall: 36 3/16 × 24 3/16 in. (91.9 × 61.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Modern Painting and Sculpture Committee 96.175

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.