Whitney Biennial 2026
Now open
Learn more about the exhibition Book Tickets
A large group of people dance together outdoors, raising their arms, while others watch and walk nearby.

Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs

A metal art sculpture over water with a city skyline in the background at sunset.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.

Dive Into Our Collection

View all
  • An ivory armchair engulfed in soft globular shapes.
    An ivory armchair engulfed in soft globular shapes.

    Yayoi Kusama, Accumulation, c. 1963. Sewn and stuffed fabric, wood chair frame, paint, overall: 34 5/16 × 38 15/16 × 36 5/16 in. (87.2 × 98.9 × 92.2 cm). Whitney Museum of American Art, New York; purchase 2001.342

  • A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
    A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

    Henry Taylor, Huey Newton, 2007. Acrylic and collaged photocopies on canvas, overall: 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

  • Two abstract figures stand side by side, one holding a small object, both with neutral expressions.
    Two abstract figures stand side by side, one holding a small object, both with neutral expressions.

    Arshile Gorky, The Artist and His Mother, 1926–c. 1936. Oil on canvas, overall: 60 × 50 1/4 in. (152.4 × 127.6 cm). Whitney Museum of American Art, New York; gift of Julien Levy for Maro and Natasha Gorky in memory of their father 50.17. © The Arshile Gorky Foundation / Artists Rights Society (ARS), New York

  • A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.
    A red hanging mobile with multiple leaf-shaped pieces balanced on thin wires.

    Alexander Calder, Big Red, 1959. Painted sheet metal and steel wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art, and by exchange 61.46a-c. © Calder Foundation, New York / Artists Rights Society (ARS), New York

  • A rectangular green-yellow light patch on the floor shows a streetlamp silhouette and scattered bird shadows.
    A rectangular green-yellow light patch on the floor shows a streetlamp silhouette and scattered bird shadows.

    Paul Chan, 1st Light, 2005. Video installation, black-and-white and color, silent, 14 min., overall: 103 × 245 × 283 in. (261.6 × 622.3 × 718.8 cm). Whitney Museum of American Art, New York; purchase, with funds from the Film and Video Committee 2007.4. © Paul Chan, courtesy the artist and Greene Naftali, New York

  • A diverse group of women posing together in a living room, some seated and smiling.
    A diverse group of women posing together in a living room, some seated and smiling.

    Sylvia Sleigh, A.I.R. Group Portrait, 1977–1978. Oil on canvas, overall: 75 × 82 in. (190.5 × 208.3 cm). Whitney Museum of American Art, New York; gift of the Estate of Sylvia Sleigh 2016.234. © Whitney Museum of American Art

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.