Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • Against a black background, chalky organic shapes stack to form a totem-like structure.
    Against a black background, chalky organic shapes stack to form a totem-like structure.

    Norman Lewis, American Totem, 1960. Oil on canvas, overall: 73 11/16 × 43 1/8 in. (187.2 × 109.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Laurie M. Tisch Illumination Fund in memory of Preston Robert and Joan Tisch, the Painting and Sculpture Committee, Director’s Discretionary Fund, Adolph Gottlieb, by exchange, and Sami and Hala Mnaymneh 2018.141. © Norman Lewis, courtesy of Michael Rosenfeld Gallery, LLC.

  • Empty two-story commercial buildings along an unoccupied street cast in soft sunlight.
    Empty two-story commercial buildings along an unoccupied street cast in soft sunlight.

    Edward Hopper, Early Sunday Morning, 1930. Oil on canvas, overall: 35 3/16 × 60 1/4 in. (89.4 × 153 cm). Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney 31.426. © Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York

  • A background of blue obscured almost completely by bright red streaks running up and down the canvas.
    A background of blue obscured almost completely by bright red streaks running up and down the canvas.

    Alma Thomas, Mars Dust, 1972. Acrylic on canvas, overall: 69 1/4 × 57 1/8 in. (175.9 × 145.1 cm). Whitney Museum of American Art, New York; purchase, with funds from The Hament Corporation 72.58. © Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York

  • A geometric industrial building with two large silos, a tall smokestack, and crisscrossing power lines.
    A geometric industrial building with two large silos, a tall smokestack, and crisscrossing power lines.

    Charles Demuth, My Egypt, 1927. Oil, fabricated chalk, and graphite pencil on composition board, overall: 35 15/16 × 30 in. (91.3 × 76.2 cm). Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney 31.172

  • A woman in a vintage suit and hat walks along a cobblestone street, looking to her right.
    A woman in a vintage suit and hat walks along a cobblestone street, looking to her right.

    Cindy Sherman, Untitled Film Still #23, 1978. Gelatin silver print, sheet: 8 × 9 15/16 in. (20.3 × 25.2 cm) Image: 7 1/2 × 9 7/16 in. (19.1 × 24 cm). Whitney Museum of American Art, New York; gift of Thea Westreich Wagner and Ethan Wagner 2010.221. © Cindy Sherman, courtesy the artist and Metro Pictures

  • Wonder Woman stands with eyes closed as bright sparks burst from her hands.
    Wonder Woman stands with eyes closed as bright sparks burst from her hands.

    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978–79. Video, color, sound, 5:50 min., looped, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from the Film, Video, and New Media Committee 2009.22. Courtesy Electronic Arts Intermix (EAI), New York.

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.