Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • Empty two-story commercial buildings along an unoccupied street cast in soft sunlight.
    Empty two-story commercial buildings along an unoccupied street cast in soft sunlight.

    Edward Hopper, Early Sunday Morning, 1930. Oil on canvas, overall: 35 3/16 × 60 1/4 in. (89.4 × 153 cm). Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney 31.426. © Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York

  • Against a black background, chalky organic shapes stack to form a totem-like structure.
    Against a black background, chalky organic shapes stack to form a totem-like structure.

    Norman Lewis, American Totem, 1960. Oil on canvas, overall: 73 11/16 × 43 1/8 in. (187.2 × 109.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Laurie M. Tisch Illumination Fund in memory of Preston Robert and Joan Tisch, the Painting and Sculpture Committee, Director’s Discretionary Fund, Adolph Gottlieb, by exchange, and Sami and Hala Mnaymneh 2018.141. © Norman Lewis, courtesy of Michael Rosenfeld Gallery, LLC.

  • A series of fire hoses arranged vertically, painted in various shades of blue, green, orange, and white
    A series of fire hoses arranged vertically, painted in various shades of blue, green, orange, and white

    Theaster Gates, Minority Majority, 2012. Decommissioned fire hoses and vinyl on plywood, overall: 66 × 111 1/2 × 3 3/4 in. (167.6 × 283.2 × 9.5 cm). Whitney Museum of American Art, New York; gift of Barbara and Michael Gamson 2016.262

  • Seven young women stand confidently on concrete arches in a fenced urban schoolyard.
    Seven young women stand confidently on concrete arches in a fenced urban schoolyard.

    Kwame Brathwaite, Untitled (Photo shoot at a school for one of the many modeling groups who had begun to embrace natural hairstyles in the 1960s), c.1966, printed 2018. Inkjet print, sheet (sight): 29 5/8 × 29 5/8 in. (75.2 × 75.2 cm) Image (sight): 29 5/8 × 29 5/8 in. (75.2 × 75.2 cm). Whitney Museum of American Art, New York; purchase, with funds from Brian Silver 2018.136. © Kwame Brathwaite

  • Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."
    Young girl gauges a boy's flexed arm while bold red text reads "We don't need another hero."

    Barbara Kruger, Untitled (We Don't Need Another Hero), 1987. Screenprint on vinyl, overall: 108 7/8 × 209 3/16 × 2 1/2 in. (276.5 × 531.3 × 6.4 cm). Whitney Museum of American Art, New York; gift from the Emily Fisher Landau Collection 2012.180. © Barbara Kruger
    Courtesy, Mary Boone Gallery, New York

  • Tangled brown ropes and cords hang suspended from the ceiling forming a loose web in a gallery.
    Tangled brown ropes and cords hang suspended from the ceiling forming a loose web in a gallery.

    Eva Hesse, No title, 1970. Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a-b. © The Estate of Eva Hesse. Courtesy of Hauser & Wirth; photograph by Sheldan C. Collins

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.