Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

View all
  • Colorful abstract artwork with faces, text, and symbols, including "Hollywood Africans" and "200 Yen."
    Colorful abstract artwork with faces, text, and symbols, including "Hollywood Africans" and "200 Yen."

    Jean-Michel Basquiat, Hollywood Africans, 1983. Acrylic and oil stick on canvas, overall: 84 1/16 × 84 in. (213.5 × 213.4 cm). Whitney Museum of American Art, New York; gift of Douglas S. Cramer 84.23. © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

  • Strings of hanging light bulbs cascade down a stairwell, with several bulbs coiled on the floor.
    Strings of hanging light bulbs cascade down a stairwell, with several bulbs coiled on the floor.

    Felix Gonzalez-Torres, "Untitled" (America), 1994. Twelve parts, each: 42 light bulbs, waterproof rubber light sockets, and waterproof electrical cord, dimensions variable . Whitney Museum of American Art, New York; purchase, with funds from the Contemporary Painting and Sculpture Committee 96.74.1a-l. © The Felix Gonzalez-Torres Foundation, Courtesy of Andrea Rosen Gallery, New York

  • A grayish-white crater of hard, rough material drawn to a center point
    A grayish-white crater of hard, rough material drawn to a center point

    Jay DeFeo, The Rose, 1958–1966. Oil with wood and mica on canvas, overall: 128 7/8 × 92 1/4 × 11 in. (327.3 × 234.3 × 27.9 cm). Whitney Museum of American Art, New York; gift of The Jay DeFeo Foundation and purchase, with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170. © The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

  • Three people sit at a curved diner counter under bright interior lights on a quiet city street.
    Three people sit at a curved diner counter under bright interior lights on a quiet city street.

    Edward Hopper, Study for Nighthawks, 1941 or 1942. Fabricated chalk and charcoal on paper, sheet: 11 1/8 × 15 in. (28.3 × 38.1 cm) Image (irregular): 8 1/8 × 14 1/8 in. (20.6 × 35.9 cm). Whitney Museum of American Art, New York; purchase, Josephine N. Hopper Bequest, by exchange 2011.65. © Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York

  • Abstract artwork with a large central black oval and various textured shapes and holes.
    Abstract artwork with a large central black oval and various textured shapes and holes.

    Lee Bontecou, Untitled, 1961, 1961. Welded steel, canvas, wire and rope, overall: 72 1/2 × 66 × 24 3/4 in. (184.2 × 167.6 × 62.9 cm). Whitney Museum of American Art, New York; purchase 61.41. © Lee Bontecou; Courtesy Michael Rosenfeld Gallery, N.Y.

  • Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.
    Large abstract painting with layered horizontal color bands including pink cloud, green hills, and deep blue foreground.

    Helen Frankenthaler, Flood, 1967. Acrylic on canvas, overall: 124 1/4 × 140 1/2 in. (315.6 × 356.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 68.12. © Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.