NARRATOR: This white painting features the phrase “I was somebody.” The words are Ligon’s variation on the rallying cry of black political leader Jesse Jackson’s “I Am Somebody”—a mantra that itself appears in a black and white painting nearby. Scott Rothkopf and Glenn Ligon:
SCOTT ROTHKOPF: The painting I Was Somebody, where he changes this into the past tense, you start to think, well, if you were somebody, then today you’re not. And that’s a kind potentially sad or troubling thought. And this painting, being in white text on a white ground, has a sense of dissolution or ghostliness to it that I think communicates the feeling of absence maybe that that text suggests.
GLENN LIGON: Also, I guess, when I made the painting that said “I was somebody,” I was thinking of historical processes, and how our notions of identity and selfhood change over time and become more complicated, that our very fixed and certain notions of who we are have to change over time. I think that pair of paintings is about that, that loosening of the sense of self.
SCOTT ROTHKOPF: A lot of Glenn’s work deals specifically with subject matter from black history, African American literature, and for that reason, it’s often been discussed in terms of its engagement with questions of identity as they relate to race. But one of the things that it’s worth emphasizing is the extent to which this work actually speaks to all of us.
This audio guide, introduced by Alice Pratt Brown Director Adam D. Weinberg, highlights a diverse range of works from the exhibition Glenn Ligon: AMERICA. Artist Glenn Ligon, exhibition curator Scott Rothkopf, and Thelma Golden, director and chief curator of the Studio Museum in Harlem, provide additional commentary.
To use the audio guide at the Museum:
|1.||Audio guide stop for Introduction to Glenn Ligon: AMERICA||COLLECT|
|2.||Audio guide stop for Glenn Ligon, Untitled (I Am a Man), 1988||COLLECT|
|3.||Audio guide stop for Glenn Ligon, Untitled (I Am a Man), 1988||COLLECT|
|4.||Audio guide stop for Glenn Ligon, No 291 (Language), 1988||COLLECT|
|5.||Audio guide stop for Glenn Ligon, Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background), 1990||COLLECT|
|6.||Audio guide stop for Glenn Ligon, Untitled (I Remember the Very Day That I Became Colored), 1990||COLLECT|
|7.||Audio guide stop for Glenn Ligon, Untitled (I Was Somebody), 1991||COLLECT|
|8.||Audio guide stop for Glenn Ligon, Runaways, 1993||COLLECT|
|9.||Audio guide stop for Glenn Ligon, Notes on the Margin of the Black Book, 1991–1993||COLLECT|
|10.||Audio guide stop for Glenn Ligon, Notes on the Margin of the Black Book, 1991–1993||COLLECT|
|11.||Audio guide stop for Glenn Ligon, We’re Black and Strong I, 1996||COLLECT|
|12.||Audio guide stop for Glenn Ligon, Self-Portraits, 1996||COLLECT|
|13.||Audio guide stop for Glenn Ligon, Malcolm X (Version 1) #1, 2000||COLLECT|
|14.||Audio guide stop for Glenn Ligon, When Black Wasn’t Beautiful #1, 2004||COLLECT|
|15.||Audio guide stop for Glenn Ligon, When Black Wasn’t Beautiful #1, 2004||COLLECT|
|16.||Audio guide stop for Glenn Ligon, Untitled (Conclusion), 2004||COLLECT|
|17.||Audio guide stop for Glenn Ligon, Self-Portrait, 2002||COLLECT|
|18.||Audio guide stop for Glenn Ligon, Rückenfigur, 2009||COLLECT|
|19.||Glenn Ligon, Rückenfigur, 2009||COLLECT|
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