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Events

Open Studio, January 2017. Photograph by Natasha Stanglmayr
Family Programs
10:30 AM–3 PM
Families engaging with works on view, July 2016. Photograph by Andrew Kist
Family Programs
10:45–11:15 AM
Families engaging with works on view, July 2016. Photograph by Andrew Kist
Family Programs
11:30 AM–12 PM
View of the Whitney Museum from Hudson River. Photograph by Karin Jobst.
Member Events: Circle, Fellow, and Sponsor members
12–1:30 PM
Puppies Puppies (b. 1989), Liberty (Liberté), 2016. Performance, Galerie Balice Hertling, Paris, France, July 7, 2016. Courtesy the artist. Photograph by Stephan Tanbin Sastrawidjaja
2017 Biennial Performances
12–4 PM
Families engaging with works on view, July 2016. Photograph by Andrew Kist
Family Programs
1:30–2 PM
Basma Alsharif (b. 1983), still from Ouroboros, 2017. High-definition video, color, sound (work in progress). Courtesy the artist and Galerie Imane Farès, Paris
2017 Biennial Film Program
2 PM
View of the Whitney Museum from Hudson River. Photograph by Karin Jobst.
Member Events: Circle, Fellow, and Sponsor members
3–4:30 PM
Basma Alsharif (b. 1983), still from Ouroboros, 2017. High-definition video, color, sound (work in progress). Courtesy the artist and Galerie Imane Farès, Paris
2017 Biennial Film Program
5 PM
Harold Mendez (b. 1977), These deeds must not be thought after these ways; so, it will make us mad, 2017. Tridirectional foil, fiberglass, synthetic rubber, toner, and pigment. Collection of the artist. Photograph Bill Orcutt
Free Events
5 PM
Open Studio, January 2017. Photograph by Natasha Stanglmayr
Family Programs
10:30 AM–3 PM
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A Marisol sculpture of three women, a child, and a dog
A Lorna Simpson photograph of a woman's back
A red, abstract painting by Alma Thomas
A painting of Jack Dempsey and Luis Firpo by George Bellows
Two works by Mike Kelley, a blanket with stuffed toys and a pedestal with wax candles
An abstract work by Jean-Michel Basquiat, Hollywood Africans

The Whitney’s collection contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries.