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A hybrid of performance, sculpture, and experimental cinema, Anthony McCall’s “solid light” film projections occupy a room through the interplay of light, fog, mist, and shadows. His installations engage viewers as active participants while challenging our perceptions of volume, space, and objecthood. In this program, McCall addresses how his interactive cinematic environments transform the physical and conceptual space between film and its audiences.
Since the late 1960s Seminars with Artists has provided a forum for intimate conversations with some of the most notable American artists of the day.