Hopper Drawing

May 23–Oct 6, 2013

A drawing of a street corner cafe.
A drawing of a street corner cafe.

Edward Hopper, Study for Nighthawks, 1941 or 1942. Fabricated chalk and charcoal on paper; 11 1/8 × 15 in. (28.3 × 38.1 cm). Whitney Museum of American Art, New York; purchase and gift of Josephine N. Hopper by exchange  2011.65 © Heirs of Josephine N. Hopper/Licensed by VAGA, New York, NY

Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper, many of which have never before been exhibited or researched. The exhibition surveys Hopper's significant and underappreciated achievements as a draftsman, and pairs many of his greatest oil paintings, including Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940), and Nighthawks (1942), with their preparatory drawings and related works. This exhibition also features groundbreaking archival research into the buildings, spaces and urban environments that inspired his work.

Hopper Drawing is organized by Carter E. Foster, Steven and Ann Ames Curator of Drawing.

Significant support for this exhibition is provided by The Horace W. Goldsmith Foundation, the National Endowment for the Arts, The Dietrich Foundation, The Selz Foundation, Barney A. Ebsworth, Steve Martin and Anne Stringfield, The Robert Lehman Foundation, Jane Carroll, Aaron I. Fleischman and Lin Lougheed, Arlene and Robert Kogod, and an anonymous donor. 

This exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.

Off-site: a Hopper-Inspired Pop-up
At the Flatiron Building

In celebration of Hopper Drawing, a life-size window installation of Edward Hopper’s Nighthawks (1942) is on view inside the landmark Flatiron prow, one of the original architectural inspirations for this iconic painting.

A photo of the Nighthawks installation in the Flatiron building
A photo of the Nighthawks installation in the Flatiron building

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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.