Yayoi Kusama's:
Fireflies on the Water

June 13–Oct 28, 2012

Yayoi Kusama staring at camera in the middle of her mirrored rooms.
Yayoi Kusama staring at camera in the middle of her mirrored rooms.

Yayoi Kusama, Fireflies on the Water, 2002. Mirror, plexiglass, 150 lights and water, 111 × 144 1/2 × 144 1/2 in. (281.9 × 367 × 367 cm) overall. Whitney Museum of American Art, New York; purchase, with funds from the Postwar Committee and the Contemporary Painting and Sculpture Committee and partial gift of Betsy Wittenborn Miller 2003.322a-tttttttt. © Yayoi Kusama. Photograph by Jason Schmidt

Yayoi Kusama’s depictions of seemingly endless space have been a central focus of her artistic career. Kusama’s Fireflies on the Water (2002)—with its carefully constructed environment of lights, mirrors, and water—is one of the outstanding examples of this kind of installation, which creates a space in which individual viewers are invited to transcend their sense of self.

This exhibition is organized in collaboration with Tate Modern, London.

Supported by

Louis Vuitton

Additional support for the Whitney’s presentation of Yayoi Kusama is provided by Carla Emil and Rich Silverstein, The Gage Fund, Susan Hancock/Royal T, the Juliet Lea Hillman Simonds Foundation, the Asian Cultural Council,
The Japan Foundation, New York, and Linda and Andrew Safran.

With thanks to Victoria Miro Gallery, London; Ota Fine Arts, Tokyo; and Yayoi Kusama Studio, Inc.
for their support of the international tour of the Yayoi Kusama exhibition.

Additional thanks to Gagosian Gallery for their assistance with the Yayoi Kusama exhibition in New York.


Artist





Audio guides

The artist Yayoi Kusama with her signature orange wig, wearing a print that is repeated in the backdrop.
The artist Yayoi Kusama with her signature orange wig, wearing a print that is repeated in the backdrop.

Yayoi Kusama in Yellow Tree furniture room at Aich triennale, Nagoya, Japan, 2010 (detail). © Yayoi Kusama. Image courtesy Yayoi Kusma Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery New York

This audio guide features selected works from Yayoi Kusama and the artist's installation, Fireflies on the Water.

View guide


Explore works from this exhibition
in the Whitney's collection

View 1 work

In the News

"An Infinity of Lights: Photos From the New Yayoi Kusama Exhibit
The New York Times


Important Ticketing Information

Timed tickets are required for entry into Fireflies on the Water. Per the artist’s wishes, visitors must enter the installation one at a time, unless assistance or a guardian is required. There is a one-minute time limit inside the installation.

Tickets are free with Museum admission and can only be reserved on the day of your visit at the admission desk. The day’s ticket allotment for Fireflies is distributed quickly, usually within the first hour after the Museum opens. Due to high demand, you may receive a time slot up to 5 hours after your arrival.

Members and corporate members have exclusive access during the first twenty minutes of each hour and may request tickets at the Member Services Desk upon their arrival. Due to the popularity of Fireflies, member tickets may not be available when you visit. The Whitney is also offering special members-only viewings of the installation each weekend morning from 10 to 11 am through October 28. Please note that corporate members are not included in these special weekend viewing hours of the installation.

Tickets are not available for group purchase.

General admission tickets purchased online do not include admission to Fireflies. Request Fireflies tickets when you redeem your online tickets at the Express Admission desk. Due to the popularity of Fireflies, tickets may not be available when you visit.


Please Note

The installation consists of a small dark room lined with mirrors on all sides, a pool in the center of the space, and many small lights hanging from the ceiling, creating visual effects that may be disorienting to some viewers. To experience the work, visitors must step up onto a 6-inch-high platform, pass through a 30-inch-wide doorway, and travel over a 30-inch-wide platform with no edge protection. A video tour is also  available.



On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.