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Calder: Hypermobility

June 9–Oct 23, 2017

Alexander Calder (1898–1976), Dancers and Sphere (maquette for 1939 New York World's Fair) set in motion in Calder's "small shop" New York City storefront studio, 1938. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Herbert Matter, courtesy Calder Foundation, New York

Alexander Calder (1898–1976), Dancers and Sphere (maquette for 1939 New York World’s Fair) set in motion in Calder’s “small shop” New York City storefront studio, 1938. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Herbert Matter, courtesy Calder Foundation, New York

Calder: Hypermobility focuses on the extraordinary breadth of movement and sound in the work of Alexander Calder. This exhibition brings together a rich constellation of key sculptures and provides a rare opportunity to experience the works as the artist intended—in motion. Regular activations will occur in the galleries, revealing the inherent kinetic nature of Calder’s work, as well as its relationship to performance and the theatrical stage. Influenced in part by the artist’s fascination and engagement with choreography, Calder’s sculptures contain an embedded performativity that is reflected in their idiosyncratic motions and the perceptual responses they provoke.

In the early 1930s, Calder invented an entirely new mode of art, the mobile—a kinetic form of sculpture in which carefully balanced components manifest their own unique systems of movement. These works operate in highly sophisticated ways, ranging from gentle rotations to uncanny gestures, and at times, trigger unpredictable percussive sounds. Calder: Hypermobility encompasses major examples of Calder’s work including early motor-driven abstractions, sound-generating Gongs, and standing and hanging mobiles.

In collaboration with the Calder Foundation, the exhibition will feature an expansive series of performances and events, including a number of episodic, one-time demonstrations of rarely seen works, as well as new commissions, which will bring contemporary artists into dialogue with Calder’s innovations and illuminate the many ways in which his art continues to challenge and inform new generations.

The exhibition is organized by Jay Sanders, Engell Speyer Family Curator and Curator of Performance, with Greta Hartenstein, senior curatorial assistant, and Melinda Lang, curatorial assistant.

Major support for Calder: Hypermobility is provided by the Dalio Foundation, the Jerome L. Greene Foundation, and the Philip and Janice Levin Foundation.

Generous Support is provided by Irma and Norman Braman, the Fisher Family, Norman and Melissa Selby, and Michelle Smith.

Additional support is provided by the Mitzi & Warren Eisenberg Family Foundation.