Unveiled on December 7, 1994, the site was linked to a live performance in the Lehman College Art Gallery. Artist Nathalie Novarina, participating in the performance via phone from Geneva, supplied the Sentence’s maiden image and its first words. In collaboration with Gary Welz, Davis designed the formal interactive structure of the Sentence.
In January 1995, Barbara and the late Eugene M. Schwartz purchased both the concept of the Sentence and the site itself. As a symbol of ownership, the Schwartzes received a disk that recorded the first days of the site, including the earliest contributions. The Schwartzes’ generosity allowed further work to be done on the design of the Sentence as well as a revision of the introductory homepage that adds information about the meaning and intention of the work. Professor Schneider has maintained the Sentence on the Web for over ten years, breaking up the enormous volume of contributions into separate “chapters” (there are now twenty-one). Susan Hoeltzel, moreover, has actively encouraged the evolution of the Sentence at every step. The work was included in several interactive installations—at the Kwangju Biennale in Korea in 1995, at the School of Visual Arts’ “Digital Salon” exhibition later that year (which toured internationally), and in 1999 at the Zentrum für Kunst und Medientechnologie (ZKM) in Karlsruhe, Germany (as part of the exhibition “net.condition”)—all of which attracted thousands of online contributions.
In 1995, Mrs. Schwartz donated the Sentence to the Whitney Museum of American Art. Davis commemorated the Whitney’s acquisition of the Sentence by designing, with Vincent M. Spina, a logo—W-M Music—which now lives among the year 2000 contributions to theSentence itself. W-M stands for “Wrap Music,” a series of audio files that includes conceptual song making and historic sounds sent to the Sentence in its earliest days.
From its inception, the Sentence has received a torrent of words, sounds, and images , contributors having learned about the site by word-of-mouth, web-based references, or press attention. The appeal of the Sentence is that it gives the world a space in which to speak its collective and its individual mind.*
As of early 2000, the estimated number of actual contributions neared 200,000 and incorporated dozens of languages. The only “rule” of the Sentence is that no one is allowed to type a period at the end of their contributions. Though ingenious users have occasionally found ways to break this rule, the vast majority have abided by it with great passion, criticizing those who discover ways to type a period at the end of a grammatically completed thought. The Sentence may well go on forever, or at least until a superior force or the limitations of web technology calls a halt to it.
As the skills of users have increased, the Sentence has grown to incorporate far more than words. In addition to texts, there are now photographs, video, sounds, graphics, and links to thousands of other websites, contributed by people of all ages and cultures. Among the contributions are musings, rants, lyrical poems, political and spiritual tracts, fragments of thought, and philosophical speculation, as well as occasional vulgarities. They address such concerns as art, literature, sexuality, religion, the nature of play, the meaning of the “sentence” itself, and the vaster subjects of life and death.
Douglas Davis is grateful to all those who are writing and designing the Sentence and regards them as fully equal collaborators. He also thanks the original sponsors of the Sentence at the Lehman College Art Gallery, the students of Lehman college, and Barbara and the late Eugene M. Schwartz.
“The Sentence has no end. Sometimes I think it had no beginning. Now I salute its authors, which means all of us. You have made a wild, precious, awful, delicious, lovable, tragic, vulgar, fearsome, divine thing.”