Please wait

Works available online

This selection reflects the wide range of mediums and movements in the Whitney’s collection, which comprises over 21,000 works. Works are being added to the online selection on an ongoing basis.

About the collection

The Whitney’s collection—comprising more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 3,000 artists—contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries.

The Museum’s rich holdings of realist and modernist work, Precisionism, Abstract Expressionism, Pop art, and Minimalism are particular strengths of the collection. In addition, the Museum has collected work by individuals who have shaped recent artistic practice but defy easy categorization by movement or medium. Gertrude Vanderbilt Whitney, the founder of the Museum, focused her collecting efforts on living artists, and this emphasis has been a guiding principle of the collection for the past eight decades. An appreciation of the areas of inquiry, working methods, and material exploration of today’s living artists guides our current acquisitions.

Read more
William J. Glackens<br /><i>Hammerstein’s Roof Garden</i>, c. 1901<br /><span class='accession-number'>53.46</span>
Audio
John Sloan<br /><i>The Picnic Grounds</i>, 1906–07<br /><span class='accession-number'>41.34</span>
Audio
Alfred Stieglitz<br /><i>The Steerage</i>, 1907<br /><span class='accession-number'>77.106</span>
Audio
Alfred Stieglitz<br /><i>The City of Ambition</i>, 1910 (printed 1911)<br /><span class='accession-number'>2007.49</span>
Audio
Joseph Stella<br /><i>Luna Park</i>, c. 1913<br /><span class='accession-number'>72.147</span>
Audio
John Sloan<br /><i>Backyards, Greenwich Village</i>, 1914<br /><span class='accession-number'>36.153</span>
Audio
Max Weber<br /><i>Chinese Restaurant</i>, 1915<br /><span class='accession-number'>31.382</span>
Audio
Robert Henri<br /><i>Gertrude Vanderbilt Whitney</i>, 1916<br /><span class='accession-number'>86.70.3</span>
Audio
Georgia O’Keeffe<br /><i>No. 8—Special (Drawing No. 8)</i>, 1916<br /><span class='accession-number'>85.52</span>
Audio
Stanton Macdonald-Wright<br /><i>“Oriental”; Synchromy in Blue-Green</i>, 1918<br /><span class='accession-number'>52.8</span>
Audio
Georgia O’Keeffe<br /><i>Music, Pink and Blue No. 2</i>, 1918<br /><span class='accession-number'>91.90</span>
Audio
Elie Nadelman<br /><i>Tango</i>, 1920–24<br /><span class='accession-number'>88.1a-c</span>
Audio
Edward Hopper<br /><i>New York Interior</i>, c. 1921<br /><span class='accession-number'>70.1200</span>
Audio
Edward Hopper<br /><i>East Side Interior</i>, 1922<br /><span class='accession-number'>70.1020</span>
Audio
George Bellows<br /><i>Dempsey and Firpo</i>, 1924<br /><span class='accession-number'>31.95</span>
Audio
Edward Hopper<br /><i>Artist’s ledger—Book <span class="caps"><span class="caps"><span class="caps">III</span></span></span></i>, 1924–67<br /><span class='accession-number'>96.210a-hhhh</span>
Audio
Georgia O’Keeffe<br /><i>Flower Abstraction</i>, 1924<br /><span class='accession-number'>85.47</span>
Audio
John Storrs<br /><i>Forms in Space #1</i>, c. 1924<br /><span class='accession-number'>84.37a-b</span>
Audio
Edward Hopper<br /><i>Self Portrait</i>, 1925–30<br /><span class='accession-number'>70.1165</span>
Audio
Thomas Hart Benton<br /><i>The Lord is My Shepherd</i>, 1926<br /><span class='accession-number'>31.100</span>
Audio Video
Alexander Calder<br /><i>Calder’s Circus</i>, 1926–31<br /><span class='accession-number'>83.36.1-95</span>
Audio Video
Alexander Calder<br /><i>Elephant and Trainer, from Calder’s Circus</i>, 1926–31<br /><span class='accession-number'>83.36.13a-c</span>
Video
Alexander Calder<br /><i>Fanni, the Belly Dancer, from Calder’s Circus</i>, 1926–31<br /><span class='accession-number'>83.36.24a-d</span>
Video
Alexander Calder<br /><i>Little Clown, the Trumpeteer, from Calder’s Circus</i>, 1926–31<br /><span class='accession-number'>83.36.8a-d</span>
Video
Alexander Calder<br /><i>Suitcase filled with elements from Calder’s Circus</i>, 1926–31<br /><span class='accession-number'>83.36.65a-c</span>
Audio Video
Arshile Gorky<br /><i>The Artist and His Mother</i>, c. 1926–36<br /><span class='accession-number'>50.17</span>
Audio
Charles Demuth<br /><i>My Egypt</i>, 1927<br /><span class='accession-number'>31.172</span>
Audio
Elsie Driggs<br /><i>Pittsburgh</i>, 1927<br /><span class='accession-number'>31.177</span>
Audio
Gerald Murphy<br /><i>Cocktail</i>, 1927<br /><span class='accession-number'>95.188</span>
Audio
Charles Demuth<br /><i>Distinguished Air</i>, 1930<br /><span class='accession-number'>68.16</span>
Audio
Edward Hopper<br /><i>Early Sunday Morning</i>, 1930<br /><span class='accession-number'>31.426</span>
Audio
Reginald Marsh<br /><i>Why Not Use the “L”?</i>, 1930<br /><span class='accession-number'>31.293</span>
Audio
Alexander Calder<br /><i>Object with Red Discs</i>, 1931<br /><span class='accession-number'>86.49a-c</span>
Audio
Stuart Davis<br /><i>House and Street</i>, 1931<br /><span class='accession-number'>41.3</span>
Audio
Arthur Dove<br /><i>Ferry Boat Wreck</i>, 1931<br /><span class='accession-number'>56.21</span>
Audio
Ben Shahn<br /><i>The Passion of Sacco and Vanzetti</i>, 1931–32<br /><span class='accession-number'>49.22</span>
Audio
View more 36 displayed of 174