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Works available online

This selection reflects the wide range of mediums and movements in the Whitney’s collection, which comprises over 21,000 works. Works are being added to the online selection on an ongoing basis.

About the collection

The Whitney’s collection—comprising more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 3,000 artists—contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries.

The Museum’s rich holdings of realist and modernist work, Precisionism, Abstract Expressionism, Pop art, and Minimalism are particular strengths of the collection. In addition, the Museum has collected work by individuals who have shaped recent artistic practice but defy easy categorization by movement or medium. Gertrude Vanderbilt Whitney, the founder of the Museum, focused her collecting efforts on living artists, and this emphasis has been a guiding principle of the collection for the past eight decades. An appreciation of the areas of inquiry, working methods, and material exploration of today’s living artists guides our current acquisitions.

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Elizabeth Catlett<br /><i>I am the Black woman</i>, 1947 (printed 1989)<br /><span class='accession-number'>95.189</span>
Edward Hopper<br /><i>Railroad Sunset</i>, 1929<br /><span class='accession-number'>70.1170</span>
Isamu Noguchi<br /><i>Work Sheets for Sculpture</i>, 1945<br /><span class='accession-number'>74.46</span>
Florine Stettheimer<br /><i>Sun</i>, 1931<br /><span class='accession-number'>73.36a-b</span>
Willie Cole<br /><i>Stowage</i>, 1996<br /><span class='accession-number'>98.8.2</span>
Federico Castellón<br /><i>The Dark Figure</i>, 1938<br /><span class='accession-number'>42.3</span>
Omer Fast<br /><i>Glendive Foley</i>, 2000<br /><span class='accession-number'>2002.558</span>
Nam June Paik<br /><i>Magnet TV</i>, 1965<br /><span class='accession-number'>86.60a-b</span>
Audio
Agnes Denes<br /><i>Human Hang-Up Machine</i>, 1969<br /><span class='accession-number'>2001.165</span>
Robert Mapplethorpe<br /><i>Calla  Lily</i>, 1988<br /><span class='accession-number'>97.103.4</span>
Robert Rauschenberg<br /><i>Untitled</i>, 1958<br /><span class='accession-number'>72.2</span>
James Casebere<br /><i>Landscape with Houses (Dutchess County, NY) #1</i>, 2009 (printed 2010)<br /><span class='accession-number'>2010.68</span>
Audio
Whitfield Lovell<br /><i>Shine</i>, 2000<br /><span class='accession-number'>2000.339a-b</span>
Audio
George Tooker<br /><i>The Subway</i>, 1950<br /><span class='accession-number'>50.23</span>
Audio
Oscar Bluemner<br /><i>Last Evening of the Year</i>, c. 1929<br /><span class='accession-number'>31.115</span>
Susan Meiselas<br /><i>Liberty Plaza, New York, September 11, 2001</i>, 2001<br /><span class='accession-number'>2002.96</span>
Edward Hopper<br /><i>Artist’s ledger—Book <span class="caps"><span class="caps"><span class="caps">III</span></span></span></i>, 1924–67<br /><span class='accession-number'>96.210a-hhhh</span>
Audio
Clyfford Still<br /><i>Untitled</i>, 1956<br /><span class='accession-number'>2002.265</span>
Lee Krasner<br /><i>The Seasons</i>, 1957<br /><span class='accession-number'>87.7</span>
Adam McEwen<br /><i>Untitled (Macaulay)</i>, 2004<br /><span class='accession-number'>2006.94.3</span>
Robert Smithson<br /><i>Non-site (Palisades-Edgewater, N.J.)</i>, 1968<br /><span class='accession-number'>69.6a-b</span>
Audio
Barry Le Va<br /><i>Continuous and Related Activities; Discontinued by the Act of Dropping</i>, 1967<br /><span class='accession-number'>90.8a-c</span>
Audio
Alvin Loving<br /><i>Rational Irrationalism</i>, 1969<br /><span class='accession-number'>69.74a-b</span>
Jackson Pollock<br /><i>Untitled</i>, c. 1939–42<br /><span class='accession-number'>85.18</span>
Audio
Andy Warhol<br /><i>Green Coca-Cola Bottles</i>, 1962<br /><span class='accession-number'>68.25</span>
Larry Rivers<br /><i>Washington Crossing the Delaware</i>, 1960<br /><span class='accession-number'>80.27</span>
Jacqueline Humphries <br /><i>Untitled</i>, 2009<br /><span class='accession-number'>2009.95</span>
Hans Haacke<br /><i>Shapolsky et al. Manhattan Real Estate Holdings, a Real-Time Social System, as of May 1, 1971</i>, 1971<br /><span class='accession-number'>2007.148a-gg</span>
Jacob Lawrence<br /><i>War Series: Victory</i>, 1947<br /><span class='accession-number'>51.19</span>
Paul Chan<br /><i>1st <del>Light</del></i>, 2005<br /><span class='accession-number'>2007.4</span>
Uta Barth<br /><i>Ground #42</i>, 1994<br /><span class='accession-number'>95.162</span>
Sylvia Plimack Mangold<br /><i>Floor with Horizontal Mirror</i>, 1974<br /><span class='accession-number'>74.42</span>
Joel Sternfeld<br /><i>Wet ’n Wild Aquatic Theme Park, Orlando, Florida, September 1980</i>, 1980 (printed 1984)<br /><span class='accession-number'>2000.3</span>
Ad Reinhardt<br /><i>No War</i>, 1967<br /><span class='accession-number'>2006.50.11</span>
Deborah Butterfield<br /><i>Resting Horse</i>, 1977<br /><span class='accession-number'>78.63</span>
Ralston Crawford<br /><i>Third Avenue Elevated #1</i>, 1951<br /><span class='accession-number'>71.144</span>
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