Delicate Matter: Two Conservation Case Studies on the Work of Paul Thek
By Eleonora E. Nagy with an introduction by Carol Mancusi-Ungaro in Paul Thek: Diver, A Retrospective, Whitney Museum of American Art (New York, NY, 2010).
A Technical Analysis of Three Paintings Attributed to Jackson Pollock
By Narayan Khandekar, Carol Mancusi-Ungaro, Harry Cooper, Christina Rosenberger, Katherine Eremin, Kate Smith, Jens Stenger and Dan Kirby in Studies in Conservation; The Journal of the International Institute for Conservation of Historic and Artistic Works. Volume 55, Number 3 (London, England, 2010).
Guidelines for the Care and Handling of Donald Judd’s Works in Metals
By Eleonora Nagy (2009).
Online manual for recommendations regarding care and handling of Donald Judd’s metal works
Golden MSA Colors
By Matthew Skopek in Painting Conservation Catalogue, Volume III: Inpainting, American Institute of Conservation, 2009.
A Sum of Corrections
Carol C. Mancusi-Ungaro in Jasper Johns: An Allegory of Painting, 1955-1965, National Gallery of Art (Washington, D.C., 2007).
Material and Process: Gordon Matta-Clark’s Object Legacy
By Christian Scheidemann in Gordon Matta-Clark: You are the Measure, Whitney Museum of American Art (New York, NY, 2007).
The Re-restoration of Donal Judd’s Untitled, 1965
By Narayan Khandekar, Eleonora E. Nagy, Julian Miller, Pia Gottschaller, and Carol Mancusi-Ungaro in Modern Paints Uncovered, The Getty Conservation Institute (Los Angeles, CA, 2006).
Calder's Once and Future Circus: A Conservator's Perspective
By Eleonora Nagy and Carol C. Mancusi-Ungaro, in Alexander Calder: The Paris Years, 1926–1933, Whitney Museum of American Art (New York, 2008).
The Rothko Chapel Paintings: A Personal Account
By Carol C. Mancusi-Ungaro, in Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, The Rothko Chapel (Houston, 2007).