The Rothko Chapel Paintings: A Personal Account
By Carol C. Mancusi-Ungaro, in Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, The Rothko Chapel (Houston, 2007).
Marden’s Materiality: The Monochromes
By Carol C. Mancusi-Ungaro, in Plane Image: A Brice Marden Retrospective, The Museum of Modern Art (New York, 2006).
The Re-restoration of Donald Judd's Untitled, 1965
By Narayan Khandekar, Eleonora Nagy, Julian Miller, Pia Gottschaller, and Carol C. Mancusi-Ungaro, Modern Paints Uncovered, The Getty Conservation Institute (Los Angeles, CA, 2006).
Material and Method in Modern Art: A Collaborative Challenge
By Carol C. Mancusi-Ungaro, in in Scientific Examination of Art: Modern Techniques in Conservation and Analysis, National Academy of Sciences (Washington, D.C. 2005).
In Search of Permanence: Oscar Bluemner's Materials and Techniques
Ulrich Birkmaier, in Oscar Bluemner: A Passion for Color, Whitney Museum of American Art (New York, 2005).
The Paintings of Barnett Newman: "Involved Intuition on the Highest Level"
By Carol C. Mancusi-Ungaro, in Barnett Newman: A Catalogue Raisonné, The Barnett Newman Foundation and Yale University Press (New York, 2004).
Embracing Humility in the Shadow of the Artist
By Carol C. Mancusi-Ungaro, in Personal Viewpoints: Thoughts on Painting Conservation, The Getty Conservation Institute (Los Angeles, 2003).
Time and Change: A Discussion about the Conservation of Modern and Contemporary Art
By Carol Mancusi-Ungaro, Jim Coddington, and Kurt Varnedoe, moderated by Jeffrey Levin in Conservation: The Getty Conservation Institute Newsletter. Volume 17, Number 3 (Los Angeles, 2002).
Jackson Pollock: Response as Dialogue
By Carol C. Mancusi-Ungaro in Jackson Pollock: New Approaches, edited by Kirk Varnedoe and Pepe Karmel, Museum of Modern Art (New York, 1999).
Material and Immaterial Surface: The Paintings of Rothko
By Carol C. Mancusi-Ungaro, in Mark Rothko, National Gallery of Art (Washington DC, 1998).
Nuances of Surface in the Rothko Chapel Paintings
By Carol C. Mancusi-Ungaro, in Mark Rothko: The Chapel Commission, The Menil Collection (Houston, 1996).