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On the National Endowments for the Arts and the Humanities
In this series, artists talk about portraits from Human Interest: Portraits from the Whitney’s Collection. Here, Judith Bernstein discusses Urs Fischer’s Standing Julian, and speaks about her engagement with politics as a woman in the art world.
Martha Rosler describes Susan Meiselas’s multi-year project Carnival Strippers, and the intensive engagement Meiselas developed in relation to her subjects.
The Whitney’s collection contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries.