Roy Lichtenstein: 
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Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

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Model zipping a red-and-blue dotted sherpa fleece inspired by Lichtenstein’s Cathedral #2

Gap–Lichtenstein–Whitney

Our collaboration with Gap and the Estate of Roy Lichtenstein brings the artist’s bold visual language to an 18-piece collection of clothing and accessories. Bold patterns on sherpa. Graphic prints on tees. This is art—worn by you.

Shop the Collaboration

Child drawing on paper titled "Seven Soothing Sketches" with colorful markers and a pill organizer on a table.

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

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A large stainless steel structure—the outline of a pier—hovers over the Hudson River at dusk.

Video

Watch our latest video series to dive deeper into art at the Whitney.

A view of the Museum with people and traffic in the foreground.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

Blurred images of mugshots arranged in a grid against a black background.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.

Dive Into Our Collection

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  • A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
    A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

    Henry Taylor, Huey Newton, 2007. Acrylic and collaged photocopies on canvas, overall: 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

  • Three drunk male sailors canoodle with three women in a park.
    Three drunk male sailors canoodle with three women in a park.

    Paul Cadmus, Sailors and Floosies, 1938. Oil and tempera on linen mounted on composition board, with wood frame, overall (framed): 33 11/16 × 48 1/2 in. (85.6 × 123.2 cm). Whitney Museum of American Art, New York; gift of Malcolm S. Forbes 64.42a-b. © Estate of Paul Cadmus / Licensed by VAGA at Artists Rights Society (ARS), New York

  • Tangled brown ropes and cords hang suspended from the ceiling forming a loose web in a gallery.
    Tangled brown ropes and cords hang suspended from the ceiling forming a loose web in a gallery.

    Eva Hesse, No title, 1970. Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a-b. © The Estate of Eva Hesse. Courtesy of Hauser & Wirth; photograph by Sheldan C. Collins

  • Three nude figures sit with their backs to the camera, the left person resting an arm on a round sculpture.
    Three nude figures sit with their backs to the camera, the left person resting an arm on a round sculpture.

    Yvonne Rainer, Five Easy Pieces, 1966–1969. 8mm and 16mm film, black-and-white, silent, 48 min., transferred to video, aspect Ratio: 4:3. Whitney Museum of American Art, New York; purchase, with funds from Joanne Leonhardt Cassullo in honor of Ron Clark and The Independent Study Program 2011.91. © Yvonne Rainer

  • A person lies motionless in the middle of a dim, blue-lit street surrounded by red flares.
    A person lies motionless in the middle of a dim, blue-lit street surrounded by red flares.

    Asco, Decoy Gang War Victim, 1974, printed 2011. Chromogenic print, sheet: 16 × 20 in. (40.6 × 50.8 cm) Image: 12 11/16 × 19 in. (32.2 × 48.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 2014.46. © 1974, Harry Gamboa Jr.

  • Organic pink, purple, and orange shapes undulating out from a blue center in the lower left.
    Organic pink, purple, and orange shapes undulating out from a blue center in the lower left.

    Georgia O'Keeffe, Music, Pink and Blue No. 2, 1918. Oil on canvas, overall: 35 × 29 15/16 in. (88.9 × 76 cm). Whitney Museum of American Art, New York; gift of Emily Fisher Landau in honor of Tom Armstrong 91.90. © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.