{"data":{"id":"8071","type":"artwork","attributes":{"id":8071,"topgoose_id":17650,"portfolio_id":null,"tms_id":8071,"title":"Dam at Fort Peck, Montana","display_artist_text":"Margaret Bourke-White","display_date":"1936, printed c. 1970","accession_number":"92.55","dimensions":"Image: 12 11/16 × 10 7/16 in. (32.2 × 26.5 cm)\r\nMount: 19 15/16 × 15 7/8 in. (50.6 × 40.3 cm)","medium":"Gelatin silver print","department":"collection","classification":"Photographs","credit_line":"Gift of Sean Callahan","is_virtual":false,"is_portfolio":false,"portfolio_tms_id":null,"portfolio":null,"edition":null,"publication_info":"","description":"\u003cp\u003eMargaret Bourke-White, \u003cem\u003eDam at Fort Peck, Montana\u003c/em\u003e, 1936, printed c. 1970. Gelatin silver print, image: 12 11/16 × 10 7/16 in. (32.2 × 26.5 cm)\r\nMount: 19 15/16 × 15 7/8 in. (50.6 × 40.3 cm). Whitney Museum of American Art, New York; gift of Sean Callahan 92.55. © Estate of Margaret Bourke-White / Licensed by VAGA at Artists Rights Society (ARS), New York, NY\u003c/p\u003e","object_label":"\u003cp\u003eMargaret Bourke-White’s photograph \u003ci\u003eDam at Fort Peck\u003c/i\u003e was reproduced on the cover of the inaugural issue of \u003ci\u003eLife\u003c/i\u003e, published on November 23, 1936. Publisher Henry Luce had sent Bourke-White, one of four photojournalists originally hired by the magazine, to shoot a chain of dams being constructed on the Missouri River in northeast Montana under the Public Works Administration agency of President Franklin D. Roosevelt’s New Deal. Fort Peck was the highest of these and the world’s largest earth-filled dam. Bourke-White’s image reveals her ability to impart grace and majesty to the bleak, utilitarian forms of industrial architecture. The dam’s massive concrete spillway piers, which stretch to the edges of the image, evoke the soaring walls of ancient monuments, or crenellated castle towers. Bourke-White’s close cropping has them reaching the clouds and dwarfing a pair of human subjects. Luce’s choice of this photograph for his first cover was both canny and strategic: \u003ci\u003eDam at Fort Peck\u003c/i\u003e embodies a machine-age optimism that was likely well-received by a country hobbled by the Great Depression.\u003c/p\u003e","ai_alt_text":"Massive concrete industrial pillars tower over two workers standing at the base.","alt_text":null,"visual_description":null,"on_view":false,"created_at":"2017-08-30T17:39:34.000-04:00","updated_at":"2026-02-06T12:01:23.897-05:00","images":[{"id":99371,"url":"https://whitneymedia.org/assets/artwork/8071/92_55_cropped.jpg"}]},"relationships":{"artists":{"data":[{"id":"3582","type":"artist"}]}}}}